Published on Tuesday, October 3, 2022. Information subject to change.
Bedford, TX is in the Central Daylight Time Zone. All times shown are local time for Bedford.
6:30 PM – GATES OPEN
7:00 PM – National Anthem
Special On-Field Welcome
7:15 PM — Class A: Krum H.S., TX
7:30 PM — Waxahachie H.S., TX
7:45 PM — James Martin H.S., TX
8:00 PM — Rock Hill H.S., TX
8:15 PM — Keller H.S., TX
8:30 PM — Lone Star H.S., TX
8:45 PM — Timber Creek H.S., TX
9:00 PM — L.D. Bell H.S., TX
9:15 PM — Wakeland H.S., TX
9:30 PM — Marcus H.S., TX
9:45 PM — Coppell H.S., TX
10:00 PM — Flower Mound H.S., TX
10:15 PM — Hebron H.S., TX
10:30 PM — Class AA: China Spring H.S., TX
10:45 PM – FINALE – PRESENTATION OF AWARDS
7:15 AM – Box Office Opens
7:45 AM – STADIUM GATES OPEN
8:15 AM – Preliminary Competition Begins
9:30 AM – BREAK
10:00 AM – Preliminary Competition Resumes
11:30 AM – LUNCH
12:15 PM – Preliminary Competition Resumes
2:00 PM – BREAK
2:30 PM – Preliminary Competition Resumes
4:00 PM – Preliminary Competition Ends
Ex. Univ. of North Texas Green Brigade Marching Band
4:15 PM – PRESENTATION OF AWARDS
4:45 PM – Finalist Directors Meeting
Stadium Cleared
Dinner Break
6:30 PM – GATES OPEN
7:00 PM – National Anthem
Special On-Field Welcome
7:15 PM – Class Exhibition (If Needed)
7:30 PM – First Performing Finalist Band
10:30 PM – Finals Competition Ends
Class Exhibition (If Needed)
10:45 PM – FINALE – PRESENTATION OF AWARDS
Director: Dr. Daniel Cook
REPERTOIRE: “Our House”
This production is a celebration of the UNT community, intended to be as inviting as possible and overtly connect emotionally to audience members of all constituencies. Each movement (‘act’) serves as a sort of ‘window’ to look into our experience in different ways (celebrating 1) the band, 2) the UNT community, 3) our entire fan base or show audience)
Visual motifs should be rich in ‘house’ paraphernalia, shape evolutions of construction and deconstruction, and whenever possible, literal shapes that represent UNT.
The opening hit introduces the ‘house’ idea via the repertoire titles/content (they are pieces that most will know) and is reinforced by ‘house-style’ electronic music in the front ensemble. The battery will layer in and should mostly be kept in a similar vicinity. The loud impact toward the end of this introductory cell should fire everyone up. Snippets of school songs (alma mater / fight song) are scattered throughout this, and throughout the show in general.
Act 1 celebrates the band with references to “Our House” being the football stadium, us ‘owning’ our turf, etc. The music itself is the most technically challenging of the show, with the intended ‘audience’ being the band itself.
Act 2 celebrates the UNT community by incorporating significant repertoire from UNT artists. This is arranged as somewhat of a medley, with voiceover narrations placed between musical cells from those artists talking about the great experiences they had at North Texas. This is designed to have wide appeal to those with a soft spot for UNT.
There are currently two versions of this – one that starts with Desperado and one that ends with it. We are looking into rights to Hotel California, since we think this could fit better, but if we do not receive them, Desperado was the next best choice. Which arrangement/setting do you think functions better?
Act 3 celebrates our entire audience/fan base and intends to illicit strong crowd participation and feature ‘hype’ moments to purposefully engage a crowd. These moments should be clear and draw a big reaction by being as clear of intent as possible. The music itself is uplifting and a recap of all of the previous themes of the show.
We will present recognition awards; highest achievement awards in each of four classes, and first, second, and third place in each class, followed by the announcement of the evening’s twelve 12 bands. Class Champion bands not among the top 12 scoring finalist bands are invited to perform during Finals in exhibition.
The Classification used in Bands of America Regional Championship Class Awards is determined by school enrollment, grades 10 through 12.
Bands of America Championships are designed to be an educational experience for the participating bands, as well as exciting musical events for spectators. Our panel of respected adjudicators evaluates and offers constructive comments on every performance, to be used by the band directors as a guide for future improvement.
To carry out the difficult task of rating and ranking each band according to the Bands of America adjudication system, we have selected established experts in music education and the marching specialty.
Don Hill, Ventura, CA – Music
Michael Miller, Nashville, TN – Music
Dave Orser, Kingston, Ontario, Canada – Music
Kyle Weirich, Elkhart, IN – Music
Marie Czapinski, Des Planes, IL – Visual
Ryan Demkovich, Houston, TX – Visual
Bruce Jones, Dayton, OH – Visual
Dale Warren, Fayetteville, AR – Chief Judge
Bands receive recorded evaluation and scoresheets from each judge. The emphasis is on the input the judge offers to the band’s program. It is the position of Bands of America that music is the more important aspect of the performance, with marching as the presentation and visual enhancement of the program. Likewise, greater emphasis is placed on general effect than on fine-line perfection of the performance.
The weight of the numbers places:
Each judge is assigned a specific area on which they focus: ensemble and general effect judges are located at a vantage point from above (e.g., press box), and individual performance judges are located on the field.
Who can enroll in Bands of America events?
Enrollment is open to all high school bands on a first-come, first-served basis.
How is performance order determined?
Preliminary performance times are scheduled based on a random draw. Applications received and paid for on or before January 31, 2022 were eligible for the initial draw, after which performance times are based on postmark of application, with earlier postmarks receiving the later performance times. The previous year’s Regional Champion has the option to choose its Prelims performance time. Finals performances are scheduled by a random draw on site.
How is classification determined?
Bands of America has a four-class system. Bands are assigned to classes based on the following enrollment levels (grades 10-12):
• Class A – 600 or fewer
• Class AA – 601 -1325
• Class AAA – 1326 -1850
• Class AAAA – 1851 or more
Per our commitment to re-evaluate the classification system, classification numbers are examined and reset every three (3) years by a procedure that considers the composition of Bands of America Championship participation using three years of data. The maximum enrollment number for Class A remains constant, while the enrollment levels for Classes AA, AAA, and AAAA are adjusted to levels (for the next three years) that would have established equal, cumulative numbers of participants in each class over the prior three (3) years. The current classification is set to begin with the Fall 2022 season, and the next reclassification will occur effective Fall 2025. For purposes of determining enrollment, your principal must certify enrollment and consider all those students in the grades 10-12 population as reported on fall State and/or FTE funding reports.
Why aren’t the classifications announced?
By nature, appreciation of arts requires subjective reactions. We do not announce or publish band classifications, before or during events. Our intention is to not draw attention to classification, to eliminate expectations of a band’s performance based on class, including those of the judges.
How are finalist bands selected?
The top 12 scoring bands, regardless of class, are invited to compete in the evening’s Regional Finals. For Indianapolis and St. Louis Super Regionals, the top 14 scoring bands, regardless of class, will advance to Finals. For the San Antonio Super Regional, the five highest scoring bands in each of the two Prelims judging panels, regardless of class, plus the next four highest scoring bands from both of the two Prelims, regardless of class, will advance to Finals. If a Class Champion is not among the highest scoring bands advancing to Finals, they will be invited to perform at Finals in exhibition.
Is electronic recording allowed in the stadium?
No video or audio recording is permitted in the stadium without the express written permission of Music for All, in advance of the event.
Camera Policy:
Any still camera (making film or digital still pictures) is allowed into and may be used from the spectator seating area of any venue, as long as it does not interfere with or disrupt the viewing experience of any other spectator. Family, friends, and fans may take still photos of BOA events for personal use only. The images may not be sold or otherwise distributed without the written permission of Music for All. Cameras (of any kind) may not be used on the field. People with field passes or name badges must go into the stands to take digital or film pictures. Tripods or other similar equipment that obstruct the view or path of travel of others in seating areas are not allowed.
Clear Bag Policy
Music for All encourages spectators to not bring bags into venues. Only clear bags and emergency bags will be permitted. Bag policies are effective to expedite entry into venues and provide additional safety. Spectators will be allowed to bring items such as cameras, provided they are not in cases that would violate the bag policy at that venue.
Thank you to L.D. Bell High School and Trinity High School for serving as host of today’s championship. L.D. Bell High School and Trinity High School volunteers are making today’s event happen! Thank you to Mark Chandler, United States Marines and L.D. Bell High School and Trinity High School.
camp.musicforall.org
Including Honor Band of America, Honor Orchestra of America, Jazz Band of America
festival.musicforall.org
marching.musicforall.org