Published on Wednesday, October 5, 2022. Information subject to change.
Midland, TX is in the Central Time Zone. All times shown are local time for Midland.
6:30 PM – GATES OPEN
7:00 PM – National Anthem – West Texas A&M Univ.
         Special On-Field Welcome
7:30 p.m. – Sharyland H.S., TX
7:45 p.m. – Fossil Ridge H.S., TX
8:00 p.m. – Midland H.S., TX
8:15 p.m. – Del Rio H.S., TX
8:30 p.m. – Azle H.S., TX
8:45 p.m. – Summit H.S., TX
9:00 p.m. – Moe & Gene Johnson H.S., TX
9:15 p.m. – Permian H.S., TX
9:30 p.m. – Sachse H.S., TX
9:45 p.m. – Clovis H.S., NM
10:00 p.m. – Lake Ridge H.S., TX
10:15 p.m. – Braswell H.S., TX
10:30 p.m. – EXHIBITION Class A: Pecos H.S., TX
10:45 PM – FINALE – PRESENTATION OF AWARDS
6:30 AM – Box Office Opens
7:00 AM – STADIUM GATES OPEN
7:30 AM – Preliminary Competition Begins
9:30 AM – BREAK
10:00 AM – Preliminary Competition Resumes
11:45 AM – LUNCH
12:30 PM – Preliminary Competition Resumes
2:00 PM – BREAK
2:30 PM – Preliminary Competition Resumes
4:15 PM – Preliminary Competition Ends
         Ex. West Texas A&M Univ.
4:30 PM – PRESENTATION OF AWARDS
         All Competing Band Drum Majors
5:00 PM – Finalist Directors Meeting
         Stadium Cleared
         Dinner Break
6:30 PM – GATES OPEN
7:00 PM – National Anthem – West Texas A&M Univ.
         Special On-Field Welcome
7:15 PM – Class Exhibition (If Needed)
7:30 PM – First Performing Finalist Band
10:30 PM – Finals Competition Ends
          Class Exhibition (If Needed)
10:45 PM – FINALE – PRESENTATION OF AWARDS
DIRECTOR: Sonia Campos
REPERTOIRE: A Latin Tour
Musical selections include: “Bolero” by Maurice Ravel, “La Fiesta Mexicana” by H. Owen Reed, “Concierto de Aranjue” by Zeferino Nandayapa Ralda, and “Symphonic Dance No. 3 (Fiesta)” by Clifton Williams
REPERTOIRE: “Vive la Vida!”
Musical selections include: “Vivir mi Vida,” “Besame Mucho,” “Si Una Vez,” “La Vida es un Carnaval,” and “Livin’ la Vida Loca.”
REPERTOIRE: reIMAGINEd by Luke McMillian
Musical selections include: Mvt. 1: Imagine by John Lennon, Mvt. 2: Mad World by Gary Jules, Mvt. 3: The End Game by Luke McMillan
REPERTOIRE: Angels and Demons
Musical selections include: 1. Angels, 2. Demons, 3. Redemption by Richard Goss, Steve Martin, Aaron Hines, Dan Bryan
REPERTOIRE: Autumn Leaves
Musical selections include: “Autumn Leaves” by Joseph Kosma; “Saxophone Concerto” by Michael Torke, “The Ludlows” from “Legends of the Fall” by James Horner, and “First Suite in Eb” by Gustav Holst
REPERTOIRE: Metallic Offerings
Musical selections include: Selections from Tchaikovsky’s Nutcracker Suite
REPERTOIRE: Any Way the Wind Blows
Musical selections include: “The Snow is Dancing” by Claude Debussy, “Winter” by Vivaldi, original music by Andrew Markworth, Disney’s “Colors of the Wind,” and John Mackey’s “Hymn to a Blue Hour” and “Asphalt Cocktail”
REPERTOIRE: Birds, Bees, Flowers, and Trees
Musical selections include: “Nature Boy,” “Freebirds,” “Flight of the Bumblebee,” “You Don’t Bring Me Flowers,” “The Willows of Winter,” and “Pines of Rome”
REPERTOIRE: Giver of Life
Musical selections include: “Down by the River,” “Come Thou Fount of Every Blessing,” “The River” by Garth Brooks, and “Celebration”
REPERTOIRE: Tomorrowland
Musical selections include: “Interstellar Suite,” “Scootin’ on Hardrock,” “Art in the Park,” and “Metropolis 1927”
REPERTOIRE: Guarded
Musical selections include: “Kaleidoscope of Mathematics,” “Pavane,” “Titanium,” “Shadow Rituals,” and “Swirling Prisms”
REPERTOIRE: Water Music
Musical selections include: “Aguas De Amazonia” by Philip Glass and “Tokyo/Vermont Counterpoint” by Steve Reich
REPERTOIRE: The Lightning Field
Musical selections include: “Mother of All Sources” by Tangerine Dream, “The Lightning Strike” by Snow Patrol, “Eleven” by Music, “Thunderclouds” by Sia, and “Ride The Lightning” by Metallica
REPERTOIRE: Till Death Do Us Part
Musical selections include: “In the Hall of the Mountain King” by Erlkonig, “The Sound of Silence,” “Moon Dance,” and “Canon in D”
REPERTOIRE: Rewind
Musical selections include: “Video Killed the Radio Star,” “Sweet Dreams (Are Made of This),” “The Final Countdown,” “I’ve Had the Time of My Life,” “Tainted Love,” and “Careless Whisper”
REPERTOIRE: Terraforming Mars
Musical selections include: “Life on Mars” by David Bowie; “Escape (from ‘The Little Prince’)” by Hans Zimmer; “Symphony No. 8 in C Minor” by Anton Bruckner; and “Mars” by Gustav Holst
DIRECTOR: Timothy S. Kelley
DRUM MAJORS: Zachary Franklin, Aileen Olalde, Mirian Flores, Lillian Leatherman, and Matthew Marin
REPERTOIRE: Dia De Los Muertos
Musical selections include: “Mass”, “La Negra”, and “Aztec Dance” from La Fiesta Mexicana, A Mexican Symphony by H. Owen Reed, and “Amor Eterno” by Rocio Durcal, and “No Matter Where You Are” by Michael & Carissa Alvarado
REPERTOIRE: Points of Reflection
Musical selections include: “Through A Looking Glass” by Jess Turner; “The Parting Glass” by Matt Conaway; “I’m Yours” by Jason Mraz; and “Get Out” By CHVCHES
REPERTOIRE: Enchanted
Musical selections include: “Woods” by Bon Iver, “Pure Imagination,” “Africa” by Toto, “Symphony No. 6” by Beethoven, “A Midsummer Night’s Dream” by Mendelssohn, “Wherever I May Roam,” and “Such Great Heights”
REPERTOIRE: Black Gold
Musical selections include: “Concerto for Violin and Orchestra” by Samuel Barber; “Digging in the Dirt” by Peter Gabriel; “Roughneck” by Johnny Cash; “Deep in the Heart of Texas” by Don Swander; and “Yellow Rose of Texas” by Mitch Miller
REPERTOIRE: RAVENous
Musical selections include: “The Snow is Dancing” by Debussy; “The Firebird Suite” by Stravinsky; “Swan Lake Suite” by Tchaikovsky; “The Swan” from “Carnival of the Animals” by Saint-Saëns
REPERTOIRE: Be the Light
Musical selections include: Original music by Jeff Chambers, “Lux Aurumque” by Eric Whitacre, and “Moonlight Sonata” by Ludwig van Beethoven
REPERTOIRE: The Circles Edge
Musical selections include: “Made of Water” by Thomas Bergersen; “The Abyss” by Alan Silvestri; “The Water Goblin” by Antonin Dvorak; “Lady in the Water” by James Newton Howard; and “Salvation For A Proud Nation” by Imperativa
Lubbock, TX
REPERTOIRE: Fathoms Below
Musical selections include: “The Sea Treaders,” “715 Creeks,” “Wine-Dark Sea”
REPERTOIRE: OVERTHRONE
Musical selections include: “Everybody Wants to Rule The World,” “It’s a Man’s World,” and “Queen’s Gambit”
REPERTOIRE: “ContaXt”
Musical selections include: “The X-Files Theme” by Mark Snow, “Also Sprach Zarathustra” by Richard Strauss, “New World Symphony” by AntonÃn Dvorják, “Symphony No. 2, Op. 30” by Howard Hanson, “Journey to the Centre of the Earth” by Peter Graham, and “ContaXt” by Carol Brittin Chambers
REPERTOIRE: Against All Odds, an Adventure in Texas Hold’Em
Musical selections include: Featuring the music of Amadeus Mozart, Sir William Walton, Frank Loesser, Lady Gaga, Daft Punk, The Rolling Stones, ABBA and Lorde.
Learn more about the The Sound of West Texas Buffalo Marching Band!
REPERTOIRE: Classics Never Go Out of Style.
The Sound of West Texas is proud to present to you classic themes from Beethoven, Verdi, Saint-Saëns, Vivaldi, Grieg, Schubert, Rimsky-Korsakov, Mozart, Wagner, Pachelbel, and Stravinsky. Led on the field by drum majors Meghan Brooks, Aaron Erickson, Erin Hinds and Tobin Brooks, The Sound of West Texas invites you to sit back and relax as you enjoy some of the greatest music ever written as performed by the WTAMU Buffalo Marching Band!
Bands of America Championships are designed to be an educational experience for the participating bands, as well as exciting musical events for spectators. Our panel of respected adjudicators evaluates and offers constructive comments on every performance, to be used by the band directors as a guide for future improvement.
To carry out the difficult task of rating and ranking each band according to the Bands of America adjudication system, we have selected established experts in music education and the marching specialty.
Bobby Lambert, Mount Pleasant, SC – Music
Michael McIntosh, Shakopee, MN – Music
David Morrison, Arlington Heights, IL – Music
Jay Webb, Avon, IN – Music
Michael Gray, Charleston, SC – Visual
Austin Greene, Raleigh, NC – Visual
Kristopher Quaale, Fort Worth, TX – Visual
Ken Giese, Las Vegas, NV – Chief Judge
Bands receive recorded evaluation and scoresheets from each judge. The emphasis is on the input the judge offers to the band’s program. It is the position of Bands of America that music is the more important aspect of the performance, with marching as the presentation and visual enhancement of the program. Likewise, greater emphasis is placed on general effect than on fine-line perfection of the performance.
The weight of the numbers places:
Each judge is assigned a specific area on which they focus: ensemble and general effect judges are located at a vantage point from above (e.g., press box), and individual performance judges are located on the field.Â
Who can enroll in Bands of America events?
Enrollment is open to all high school bands on a first-come, first-served basis.
How is performance order determined?
Preliminary performance times are scheduled based on a random draw. Applications received and paid for on or before January 31, 2022 were eligible for the initial draw, after which performance times are based on postmark of application, with earlier postmarks receiving the later performance times. The previous year’s Regional Champion has the option to choose its Prelims performance time. Finals performances are scheduled by a random draw on site.
How is classification determined?
Bands of America has a four-class system. Bands are assigned to classes based on the following enrollment levels (grades 10-12):
• Class A – 600 or fewer
• Class AA – 601 -1325
• Class AAA – 1326 -1850
• Class AAAA – 1851 or more
Per our commitment to re-evaluate the classification system, classification numbers are examined and reset every three (3) years by a procedure that considers the composition of Bands of America Championship participation using three years of data. The maximum enrollment number for Class A remains constant, while the enrollment levels for Classes AA, AAA, and AAAA are adjusted to levels (for the next three years) that would have established equal, cumulative numbers of participants in each class over the prior three (3) years. The current classification is set to begin with the Fall 2022 season, and the next reclassification will occur effective Fall 2025. For purposes of determining enrollment, your principal must certify enrollment and consider all those students in the grades 10-12 population as reported on fall State and/or FTE funding reports.
Why aren’t the classifications announced?
By nature, appreciation of arts requires subjective reactions. We do not announce or publish band classifications, before or during events. Our intention is to not draw attention to classification, to eliminate expectations of a band’s performance based on class, including those of the judges.
How are finalist bands selected?
The top 12 scoring bands, regardless of class, are invited to compete in the evening’s Regional Finals. For Indianapolis and St. Louis Super Regionals, the top 14 scoring bands, regardless of class, will advance to Finals. For the San Antonio Super Regional, the five highest scoring bands in each of the two Prelims judging panels, regardless of class, plus the next four highest scoring bands from both of the two Prelims, regardless of class, will advance to Finals. If a Class Champion is not among the highest scoring bands advancing to Finals, they will be invited to perform at Finals in exhibition.
Is electronic recording allowed in the stadium?
No video or audio recording is permitted in the stadium without the express written permission of Music for All, in advance of the event.
Camera Policy:
Any still camera (making film or digital still pictures) is allowed into and may be used from the spectator seating area of any venue, as long as it does not interfere with or disrupt the viewing experience of any other spectator. Family, friends, and fans may take still photos of BOA events for personal use only. The images may not be sold or otherwise distributed without the written permission of Music for All. Cameras (of any kind) may not be used on the field. People with field passes or name badges must go into the stands to take digital or film pictures. Tripods or other similar equipment that obstruct the view or path of travel of others in seating areas are not allowed.
Clear Bag Policy
Music for All encourages spectators to not bring bags into venues. Only clear bags and emergency bags will be permitted. Bag policies are effective to expedite entry into venues and provide additional safety. Spectators will be allowed to bring items such as cameras, provided they are not in cases that would violate the bag policy at that venue.
Thank you to Midland Legacy High School for serving as host of today’s championship. Thank you to Steven Dojahn.
camp.musicforall.org
Including Honor Band of America, Honor Orchestra of America, Jazz Band of America
festival.musicforall.org
marching.musicforall.org