New Mexico Regional

September 20, 2025 • Aggie Memorial Stadium • Las Cruces, NM

Schedule & Bands
Event Schedule

See prelims performance times in the section below the event schedule.

7:45 a.m. – Box Office Opens
8:15 a.m. – Stadium Gates Open

1:00 p.m. – In Exhibition: New Mexico State University Pride of New Mexico Marching Band

1:15 p.m. – Presentation of Class Awards

Finals Schedule

6:30 p.m. – Gates Open for Finals
7:00 p.m. – National Anthem & Special On-Field Welcome

7:30 p.m. – La Cueva H.S., NM
7:45 p.m. – Centennial H.S., NM
8:00 p.m. – Bel Air H.S., TX
8:15 p.m. – Las Cruces H.S., NM
8:30 p.m. – Americas H.S., TX
8:45 p.m. – Pecos H.S., TX
9:00 p.m. – Organ Mountain H.S., NM
9:15 p.m. – Rampart H.S., CO
9:30 p.m. – Eastlake H.S., TX
9:45 p.m. – Clovis H.S., NM
10:00 p.m. – Del Valle H.S., TX
10:15 p.m. – Eastwood H.S., TX

10:30 p.m. – In Exhibition: New Mexico State University Pride of New Mexico Marching Band

Finale – Presentation of Awards

Participating Bands

Information last updated November 15, 2025. All times shown are Mountain time.

8:48 AM – Parkland H.S., TX
Parkland H.S., TX
El Paso, TX
DIRECTOR: Homer Pardo
DRUM MAJORS: KRISTALYN CHENAUSKY and AURORA SHINDO
REPERTOIRE: TRAINLAPSE
MUSICAL SELECTIONS INCLUDE: "Symphonic Movement" by Vaclav Nelhybel; "Magnolia Star" by Steve Danyew; "Everything In Its Right Place" by Radiohead; "Turbine" by John Mackey; and "Blow It Up, Start Again" by Jonathan Newman
9:00 AM – La Cueva H.S., NM
La Cueva H.S., NM
Albuquerque, NM
DIRECTOR: Gabriel Velasco
DRUM MAJORS: Jackson Poche, Isabella Gatti, and Kaaliyah Hairston
REPERTOIRE: A Fish Tail
MUSICAL SELECTIONS INCLUDE: "The Hours Suite" by Philip Glass; "Juliet's Dream" by Abel Korzeniowski; "Romeo and Juliet" by Peter Ilyich Tchaikovsky; and "Eleanor Ribgy" by John Lennon and Paul McCartney
9:12 AM – Mayfield H.S., NM
Mayfield H.S., NM
Las Cruces, NM
DIRECTOR: Rod Pior
DRUM MAJORS: Arturo Regulado and Ruben Gallegos
REPERTOIRE: Upside Down
MUSICAL SELECTIONS INCLUDE: "The World Turned Upside Down" by Lin-Manuel Miranda; "Stranger Things Theme" by Kyle Dixon and Michael Stein; "Sound Design" by Tim Mitchell; "Running Up That Hill" by Kate Bush; and "Separate Ways" by Journey/Arr By Jeff Chambers
9:24 AM – Valencia H.S., NM
Valencia H.S., NM
Los Lunas, NM
DIRECTOR: Nate Van Dam and Michelle Stanbary
DRUM MAJORS: Sebastian Quevedo, Jaydeen Rios-Hernandez, and Nevaeh Lueras
REPERTOIRE: Imperium Romanum
MUSICAL SELECTIONS INCLUDE: "Chisels and Stone, Catacombs, and Pagan Dance and the Great Fire, from The Rise and Fall of Rome" by Key Poulan
9:36 AM – Alamogordo H.S., NM
Alamogordo H.S., NM
Alamogordo, NM
DIRECTOR: Newell A. Ramsey
DRUM MAJORS: Joshua Hallbeck and Gigi Gutierrez
REPERTOIRE: Get a Clue
MUSICAL SELECTIONS INCLUDE: "Breakout" by Randall Standridge
9:48 AM – Bel Air H.S., TX
Bel Air H.S., TX
El Paso, TX
DIRECTOR: Adam Castaneda
DRUM MAJORS: Jackie Lopez and Alan Chavira
REPERTOIRE: Four of a Kind
MUSICAL SELECTIONS INCLUDE: "Man in the Mirror" by Michael Jackson; "Poker Face" by Lady Gaga; "Farandole" by George Bizet; "Blue Suede Shoes" by Elvis Presley; and "King of Pride Rock" by Hanz Zimmer
10:00 AM – Organ Mountain H.S., NM
Organ Mountain H.S., NM
Las Cruces, NM
DIRECTOR: Shawn Silva
DRUM MAJORS: Milianah Silva, Emilie Hernandez, and Hailey Smyth
REPERTOIRE: Goodnight Moon
MUSICAL SELECTIONS INCLUDE: "The New Moon in the Old Moon's Arms" by Michael Kamen
10:12 AM – Eastlake H.S., TX
Eastlake H.S., TX
El Paso, TX
DIRECTOR: Nick Flood
DRUM MAJORS: Adria Dominguez, Anabelle Navarro, and Grayson Gutierrez
REPERTOIRE: Solaris
MUSICAL SELECTIONS INCLUDE: "Black Hole Sun" by Soundgarden; "Firebird Suite" by Stravinsky; "Heat of the Day" by Metheny & Mays; "Symphony no. 8" by Bruckner; "Shofukan" by Snarky Puppy; and "Sunrise Quartet" by Haydn
10:48 AM – Thatcher H.S., AZ
Thatcher H.S., AZ
Thatcher, AZ
DIRECTOR: Ruth Ann Young
DRUM MAJORS: Aeryn Tellez
REPERTOIRE: How to Train Your Dragon
MUSICAL SELECTIONS INCLUDE: "This is Berk" by John Powell; "Romantic Flight" by John Powell; "The Downed Dragon" by John Powell; and "Test Drive" by John Powell
11:00 AM – Eastwood H.S., TX
Eastwood H.S., TX
El Paso, TX
DIRECTOR: Benjamin Perez
DRUM MAJORS: Brandyn Sandoval, Julian Monsivais, Anjelina Mendoza, and Ramiro Burciaga IV
REPERTOIRE: Manta Ray
MUSICAL SELECTIONS INCLUDE: "Wine-Dark Sea" by John Mackey; "He Commands the Sea" by Rupert Gregson-Williams; and "Water Night" by Eric Whitacre
11:12 AM – Rampart H.S., CO
Rampart H.S., CO
Colorado Springs, CO
DIRECTOR: Keith Acuncius
DRUM MAJORS: Lucas Miller, Ty Shah, and Hannah Waldrip
REPERTOIRE: Stardust
MUSICAL SELECTIONS INCLUDE: "Also Sprach Zarathustra" by Richard Strauss; "Aquarius (Let the Sunshine In)" by The Fifth Dimension; "Across the Universe" by The Beatles; and "Aurora Awakes" by John Mackey
11:24 AM – Las Cruces H.S., NM
Las Cruces H.S., NM
Las Cruces, NM
DIRECTOR: Ty Frederick
DRUM MAJORS: Danya Harris
REPERTOIRE: You've Got Mail
MUSICAL SELECTIONS INCLUDE: "Letter From Home" by Pat Metheny; "Please, Mr. Postman" by Gorman; "Jug Blues and Fat Pickin'" by Don Freund; and "Danzon No. 2" by Arturo Marquez
11:36 AM – Americas H.S., TX
Americas H.S., TX
El Paso, TX
DIRECTOR: Erik Lerma
DRUM MAJORS: Idaly Perez and Daniela Elias
REPERTOIRE: Mint Condition
MUSICAL SELECTIONS INCLUDE: "Peer Gynt- Suite No. 1 Op. 45 Morning Mood" by Edvard Grieg; "Pure Imagination" by Anthony Newley, Leslie Bricusse; "Flight of The Bumblebee" by Rimsky Korsakoff; "Dance of The Sugar Plum Fairy" by Pyotr Tchaikovsky; "Eine Kleine Natchmusik" by Wolfgang Amadeus Mozart; "Trepak" by Pyotr Tchaikovsky; "Symphony No. 9" by Ludwig Van Beethoven; "Sabre Dance" by Aran Iljitsch Khachaturian; and "Candyman" by Zedd and Aloe Blacc
11:48 AM – Centennial H.S., NM
Centennial H.S., NM
Las Cruces, NM
DIRECTOR: Philip Ramos
DRUM MAJORS: Brody Corder and Michael Vigil
REPERTOIRE: Centennial on Ice
MUSICAL SELECTIONS INCLUDE: "Troika" by Sergei Prokofiev; "Ice Dance" by Danny Elfman; "Into the Unknown" by Kristen Anderson-Lopez, Robert Lopez, Kristen Jane Anderson; and "Russian Dance" by Pyotr Ilyich Tchaikovsky
12:12 PM – Del Valle H.S., TX
Del Valle H.S., TX
El Paso, TX
DIRECTOR: Keith Morales
DRUM MAJORS: Julian Gruber and Antonio Morales
REPERTOIRE: A Nightshade Serenade
MUSICAL SELECTIONS INCLUDE: "Come Little Children" by James Horner; "The Sorcerer's Apprentice" by Paul Dukas; "This is Halloween" by Danny Elfman; "Once Upon A December" by Stephen Flaherty and Lynn Ahrens; and "Night on Bald Mountain" by Modest Mussorgsky
12:24 PM – Riverside H.S., TX
Riverside H.S., TX
El Paso, TX
DIRECTOR: Sean Kilkenny
DRUM MAJORS: August Martinez and Adrian Lopez
REPERTOIRE: Clear For Takeoff
MUSICAL SELECTIONS INCLUDE: "Learn to Fly" by Foo Fighters; "Fly Away" by Lenny Kravitz; and "Fly to Paradise" by Eric Whitacre
12:36 PM – Pecos H.S., TX
Pecos H.S., TX
Pecos, TX
DIRECTOR: Richard Cole
DRUM MAJORS: Noel Marquez, Caleb Sandoval, and Ana Serrano
REPERTOIRE: The Monarchs Flight
MUSICAL SELECTIONS INCLUDE: "One Day I'll Fly Away" by Will Jennings, Joe Sample; "ButterFly" by Juan Maria Diaz Fernandez, Mia Kristine Makaroff, and Anna-Mari Kahara; "Symphonic Metamorphosis" by Paul Hindemith; "O (Fly On)" by Coldplay; and "Butterflies" by Thomas Bergersen
12:48 PM – Clovis H.S., NM
Clovis H.S., NM
Clovis, NM
DIRECTOR: Daniel Perez
DRUM MAJORS: Heidi Silva, Alyssa Dial, Ivan Martinez, and Coraline Russ
REPERTOIRE: Infinite Horizons
MUSICAL SELECTIONS INCLUDE: "Ghost Train Triptych" by Eric Whitacre; "The Canyon" by Philip Glass; "Into the West" by Annie Lennox; "Walking Funny" by Mark Shaiman; and "Choreography" by Robert Sheldon
Venue Info

Venue Info

Aggie Memorial Stadium
1810 E University Ave, Las Cruces, NM 88003

Bag Policy
Music for All encourages spectators to avoid bringing bags. Depending on venue guidelines, small clear bags, diaper bags and emergency medical bags might be allowed. Bag policies help speed up entry and enhance safety. Camera bags are typically allowed at each venue.

Spectator Parking

  • South Half of Lot 30 (directly north of stadium)
  • No Charge
  • No Shuttle

Cashless Venues
We recommend planning ahead and bringing both cash and card to Bands of America events. All Bands of America ticket booths are cashless, with digital ticketing options only. Many stadiums operate cashless concessions. PepWear merchandise booths accept both cash and card.

Adjudicators

New Mexico Regional Championship
Music Panel
Chris Dessent – Fort Wayne, IN
Beth Ann Fabrizio – Fairport, NY
Brendan Hagan – Calgary, Alberta, Canada
Van Mathews – North Richland Hills, TX

Visual Panel
Chris Kaflik – Brownsburg, IN
Kim Kuhn – Westland, MI
Jeremy Tate – Jackson, TN

Chief Judge
David Morrison – Arlington Heights, IL

Host

Thank you to today’s host group!

The Pride of New Mexico

FAQ

Frequently Asked Questions

Digital Ticketing

Bands of America ticketing is all digital. Tickets cannot be purchased with cash, only with credit and debit cards.

We strongly encourage spectators to purchase their tickets online in advance before arriving at the stadium.

Camera Policy and Video Recording

Only still photography is allowed, and only from general admission seats. Still photography is not allowed at field level.

Tripods, bipods, and monopods should not be used and the viewing experience of other spectators may not be disrupted.

Video and audio recording of any kind is not allowed, no exceptions.

Credentials – Band Field Passes
  • Each competing band is given 31 credentials with the option to purchase up to 10 additional credentials. Bands are given the exact number of bus driver wristbands as they request vehicle passes. Up to 2 medical passes for nurses can be requested by the band director. There are NO videographer passes.
  • A pass or a ticket is required to get into the stadium as a spectator.
  • Bands of American events are mobile entry and can be purchased in advance.
The Audience Has an Important Role to Play!

The audience and performance environment is a key piece of the Bands of America experience. Parents and fans have their own role to perform, which they undertake with enthusiasm. The atmosphere of good sportsmanship, mutual support, and appreciation for all of the performers on the field creates a positively life-changing experience for the students, as well as the parents and supporters. Meeting and engaging with parents and fans from other programs creates opportunities for networking and provides an extended voice in support of music education.

Bands of America and Music for All emphasizes the pursuit of performance excellence and the educational experience of participation. The commentary offered by the Bands of America judges provides educators and students with comments and meaningful assessment – much more than simply selecting a winner or placement. The commentary provides information on how directors and students are doing and what they need to do to improve. Each judge has a slightly different responsibility in this, but all point to the same mission: to create, provide, and expand positively life-changing experiences. Your applause, your encouragement, and your standing ovations will make this an unforgettable experience for the thousands of young people performing today.

THE VALUE OF COMPETITION
Competition is woven into the very fabric of America and has helped to foster the development of the strongest nation on Earth. Bands of America and Music for All believe that competing is a great motivator and provides amazing opportunities for learning life lessons. The essence of competition is in the striving for performance excellence and being held accountable for learning. If the focus is on the learning, the competitive climate will be a source extremely valuable in life. On the other hand, the negativity associated with “winning at all costs” will be a detriment to personal growth. Winning is certainly a monumental benchmark, as is any measurement in the competitive arena. Performing your very best in competition is also a benchmark, as is competing with the very best programs. By choosing to participate in competition, individuals and groups have already “won” simply by being highly motivated.

The competitive arena provides a very precious opportunity to practice quality sportsmanship and sincere appreciation for the hard work of others. It also is the place where the very best models in our activity can be displayed and celebrated. All performers need models to demonstrate possibility at the highest levels of performance and artistry. Bands of America encourages all participants to stay for Finals, show appreciation for those models, and for finalists to “break ranks” in order to congratulate each other for their successes. As all programs continue to improve through motivation, the competition strengthens everyone, pushing us beyond what we believed to be our potential. Each and every band performance is a gift to us all and must be treasured. First place is fleeting, but the learning associated with the striving for excellence, the cooperative work ethic, and the appreciation of others is everlasting. Bands of America encourages participants, parents, and friends to celebrate the high value of the competitive environment for its lessons and to become immersed in “positively life-changing experiences.”

— From the Bands of America Official Procedures and Adjudication Handbook

Be a Good Audience Member

Music is designed for all the senses. For everyone to fully enjoy the performances, we ask that you please adhere to the following. Your cooperation is greatly appreciated.

  • Please turn off or silence all cell phones, pagers, watches, and other personal electronic devices.
  • Do not leave or return to your seat during performances.
  • Keep all aisles clear. Please do not enter or exit the seating area or move within the seating area during performances. Respect the performers and your fellow spectators.
  • Please do not carry on conversations during performances or talk in a manner that disturbs your neighbors.
  • No smoking in the stadium.
  • Anyone exhibiting inappropriate behavior that disturbs the performances or the enjoyment of those around them may be asked to leave the stadium at the discretion of the contest director.
How is classification determined?

Bands of America has a four-class system (A-AAAA). Bands are assigned to classes based on enrollment levels in grades 10-12 as verified by each school's administration.

How is performance order determined?

Preliminary performance times are scheduled based on a random draw. Applications received and paid for on or before January 31, 2025, were eligible for the initial draw, after which performance times are based on postmark of application, with earlier postmarks receiving the later performance times. The previous year’s Regional Champion has the option to choose its Prelims performance time. Finals performances are scheduled by a random draw on site.

Who can enroll?

Enrollment is open to all high school bands on a first-come, first-served basis.

"What are the judges looking for?"

Bands receive recorded evaluation from each judge. The emphasis is on the input the judge offers to the band’s program. It is the position of Bands of America that music is the more important aspect of the performance, with marching as the presentation and visual enhancement of the program. Likewise, greater emphasis is placed on general effect than on fine-line perfection of the performance.

The weight of the numbers places 60% of the value on music and 40% on visual, as well as 60% on general effect and 40% on performance. Each judge is assigned a specific area on which they focus: ensemble and general effect judges are located at a vantage point from above (e.g., press box), and individual performance judges are located on the field. You can download the adjudication handbook from marching.musicforall.org for more information.

Why aren’t classifications announced?

By nature, appreciation of arts requires subjective reactions. We do not announce or publish band classifications, before or during events. Our intention is to not draw attention to classification, so as to eliminate expectations of a band’s performance based on class, including those of the judges.

How are finalist bands selected?

RegionalsThe top 12 scoring bands, regardless of class, are invited to compete in the evening’s Regional Finals.

Super RegionalsSuper Regional Championships accept 14 bands into Finals. The 14 bands are chosen according to the following procedure: the five highest scoring bands in each of the two Prelims judging panels, regardless of class, plus the next four highest scoring bands from both of the two Prelims, regardless of class, will advance to Finals. If a Class Champion is not among the highest scoring bands advancing to Finals, they will be invited to perform at Finals in exhibition.

Participating Band Dinner Break and Picnic Area
  • The stadium will be cleared after Prelims Awards and reopened for Finals. Concessions will be closed during the dinner break between Prelims and Finals.
  • Any feeding of band students must be in the designated Picnic Area. Please see the director Final Packet documents for this show for information and location of designated Picnic Area.