California Regional

November 1, 2025 • Eagle Stadium • Rancho Cucamonga, CA

Schedule & Bands
Event Schedule

Saturday, November 1, 2025

7:00 a.m. – Box Office Opens
7:30 a.m. – Stadium Gates Open

2:45 p.m. – Prelims Competition Ends
2:45 p.m. –In Exhibition: Riverside City College Tiger Marching Band
3:00 p.m. – Presentation of Prelims Awards

FINALS SCHEDULE

6:00 p.m. – Gates Open for Finals

6:30 PM – National Anthem and Special On Field Welcome

6:45 PM — Class A Exhibition: Pinecrest Academy of Nevada Cadence, NV
7:00 PM — San Marcos H.S., CA
7:15 PM — Foothill H.S., NV
7:30 PM — Amador Valley H.S., CA
7:45 PM — Rancho Cucamonga H.S., CA
8:00 PM — Mission Hills H.S., CA
8:15 PM — Upland H.S., CA
8:30 PM — American Fork H.S., UT
8:45 PM — Gahr H.S., CA
9:00 PM — Vista Murrieta H.S., CA
9:15 PM — Ayala H.S., CA
9:30 PM — Chino Hills H.S., CA
9:45 PM — Etiwanda H.S., CA

10:15 PM – Finale and Presentation of Awards

Participating Bands

Information last updated February 4, 2026. All times shown are Pacific time.

8:00 AM – Rancho Verde H.S., CA
Rancho Verde H.S., CA
Moreno Valley, CA
DIRECTOR: Honglac Hathuc
DRUM MAJORS: Leanna Limbo, Miranda Tapia, and Roxanne Orozco
REPERTOIRE: LUX
MUSICAL SELECTIONS INCLUDE: "Both Sides Now" by Joni Mitchell; "Egmont Overture" by Ludwig van Beethoven; "First Light" by Matthew Webster; and "Wondrous Light" by John Estacio
8:15 AM – Summit H.S., CA
Summit H.S., CA
Fontana, CA
DIRECTOR: James C. Sharp
DRUM MAJORS: Valerie Rivera Solorzano, Riley Harrison, and Sophie Valtierra
REPERTOIRE: Misfit Toy
MUSICAL SELECTIONS INCLUDE: "Toy" by Netta; "Dance of the Sugar Plum Fairy" by Pyotr Tchaikovsky; and "What Could Have Been" by Sting
8:30 AM – San Dimas H.S., CA
San Dimas H.S., CA
San Dimas, CA
DIRECTOR: Lance Beckford
DRUM MAJORS: Alina Quintanilla, Crystal Garcia, and Ariana Golsorkhi
REPERTOIRE: The Last Laugh
MUSICAL SELECTIONS INCLUDE: "Mad World" by Gary Jules; "Medea's Dance of Vengeance" by Samuel Barber; "Smile" by Nat King Cole; "Heathens" by 21 Pilots; and "Jokes On You" by Charlotte Lawrence
8:45 AM – Savanna H.S., CA
Savanna H.S., CA
Anaheim, CA
DIRECTOR: Fernando Penaloza
DRUM MAJORS: Oscar Ibarra
REPERTOIRE: Becoming The Tin Man
MUSICAL SELECTIONS INCLUDE: "Becoming The Tin Man" by Rob Stein
9:00 AM – Gahr H.S., CA
Gahr H.S., CA
Cerritos, CA
DIRECTOR: Darren Loney
DRUM MAJORS: Maya Martinez and Ethan Buenaventura
REPERTOIRE: And Sew It Goes
MUSICAL SELECTIONS INCLUDE: "A Dream Is a Wish Your Heart Makes" by Mack David, Al Hoffman, Jerry Livingston; "And So It Goes" by Billy Joel; and "La Gioconda, Op. 9 / Act 3 – Dance of the Hours" by Amilcare Ponchielli
9:15 AM – Foothill H.S., NV
Foothill H.S., NV
Henderson, NV
DIRECTOR: Travis Pardee
DRUM MAJORS: Kennedy Nieto, Cambrie Gibson, and Caden King
REPERTOIRE: DIMENSIONS
MUSICAL SELECTIONS INCLUDE: "DIMENSIONS" by Ezekiel Lanser
9:30 AM – Upland H.S., CA
Upland H.S., CA
Upland, CA
DIRECTOR: Ernie Miranda
DRUM MAJORS: Arnold Wang, Matthew Escalante, Cyrus Ortega, and Alexis Pacheco
REPERTOIRE: The Shift Between
MUSICAL SELECTIONS INCLUDE: "Symphony No. 9" by Antonin Dvořák
10:15 AM – Rancho Cucamonga H.S., CA
Rancho Cucamonga H.S., CA
Rancho Cucamonga, CA
DIRECTOR: James Ana
DRUM MAJORS: Chloe Liu, Andy Yoon, and Yuri Urbiztondo
REPERTOIRE: All That I Had; The Story of Sacrifice
MUSICAL SELECTIONS INCLUDE: "City Trees" by Micheal Markowski; "Open Arms" by Journey; and "Vesuvius" by Frank Ticheli
10:30 AM – Vista Murrieta H.S., CA
Vista Murrieta H.S., CA
Murrieta, CA
DIRECTOR: Donald Wade
DRUM MAJORS: Daniel Corado, Justin Potter, and Zander Zimmer
REPERTOIRE: The Invitation
MUSICAL SELECTIONS INCLUDE: "The Invitation" by Kevin Shah and Mike Jackson
10:45 AM – Amador Valley H.S., CA
Amador Valley H.S., CA
Pleasanton, CA
DIRECTOR: Jonathan Grantham
DRUM MAJORS: Emily Choe, Athrv Gupta, Silas Fell, Nicole Zhang, and Kangmin Ryu
REPERTOIRE: Bonjour, Bonjour!
MUSICAL SELECTIONS INCLUDE: "Complainte de la Butte" by Rufus Wainwright; "An American in Paris" by George Gershwin; "La Vie en Rose" by Edith Piaf; "Can Can" by Jacques Offenbach; "Lone Digger" by Caravan Palace; and "La Marseillaise" by Claude Joseph Rouget de Lisle
11:00 AM – San Marcos H.S., CA
San Marcos H.S., CA
San Marcos, CA
DIRECTOR: Geoffrey Radant
DRUM MAJORS: Jane Jung, Sean Kim, Tyler Sevilla, and Anya Sun
REPERTOIRE: Arachnid
MUSICAL SELECTIONS INCLUDE: "The Hunt" by Matthew Armstrong; "Black Widow" by Sundfor/Horntveth/Armstrong; "Threads of Awakening" by Matthew Armstrong; "Tangled Web" by Matthew Armstrong; and "Hoep (Despair)" by Matthew Armstrong
11:15 AM – Damien H.S., CA
Damien H.S., CA
La Verne, CA
DIRECTOR: JJ Magallon
DRUM MAJORS: Anthony Sifuentes
REPERTOIRE: CINEMATIC!
MUSICAL SELECTIONS INCLUDE: "Mission Impossible Theme" by Lalo Schifrin; "Lights, Camera, Action" by Matt Miller; "City of Stars" by Benj Pasek, Justin Hurwitz, Justin Noble Paul; and "Cinematic" by Matt Miller
11:30 AM – American Fork H.S., UT
American Fork H.S., UT
American Fork, UT
DIRECTOR: Orien Landis
DRUM MAJORS: Maxwell Davis, Rory Stevens, Kian Brookhart, and Sam Miller
REPERTOIRE: Cruisin The Fork
MUSICAL SELECTIONS INCLUDE: "She Used to be Mine" by Sara Bareilles; "The Longest Time" by Billy Joel; "Symphonic Movement" by Nelhybel; "Hound Dog" by Jerry Leiber, Mike Stoller; "Rock Around the Clock" by James Myers, MC Freedman; and "Fast Car" by Tracy Chapman
11:45 AM – Pinecrest Academy of Nevada Cadence, NV
Pinecrest Academy of Nevada Cadence, NV
Henderson, NV
DIRECTOR: Mac Purdy
DRUM MAJORS: Emily Street
REPERTOIRE: Lost in Space
MUSICAL SELECTIONS INCLUDE: "Lost in Space" by Christopher Lennertz and Philip White; Original Music by Andrew Markworth; and "Only Light" by Aaron Perrine
12:45 PM – Maui H.S., HI
Maui H.S., HI
Kahului, HI
DIRECTOR: Kerry Wasano
DRUM MAJORS: Rushielle Cachero, Andrea Valencia, Jasmyn Yun, and Zareena Texeira-Suenaga
REPERTOIRE: Where the Ladders Lead
MUSICAL SELECTIONS INCLUDE: "Kingfishers Catch Fire" by John Mackey; "Fantastical Mischief from Wonderstruck" by James Dooley; "Golden Hour" by JVKE; and "A Million Dreams from The Greatest Showman" by Benj Pasek and Justin Paul
1:00 PM – Covina H.S., CA
Covina H.S., CA
Covina, CA
DIRECTOR: Daniel Franco
DRUM MAJORS: Madilyn Franco and Isabelle Gonzalez
REPERTOIRE: Rewrite the Stars
MUSICAL SELECTIONS INCLUDE: "Rewrite the Stars from (The Greatest Showman)" by Benjamin Pasek and Justin Paul; "Rocket Man" by Elton John and Bernard Taupin; and "A Sky Full of Stars" by Coldplay
1:15 PM – Etiwanda H.S., CA
Etiwanda H.S., CA
Rancho Cucamonga, CA
DIRECTOR: Susie Marin
DRUM MAJORS: Abigail Boomanlag, Hayden Lichtman, and Elyssa Gruenberg
REPERTOIRE: In Search Of...
MUSICAL SELECTIONS INCLUDE: "Fantasy Overture Romeo & Juliet" by Tchaikovsky; "Every Little Thing" by The Police; "I hear a Symphony" by Cody Fry; "Still Haven't Found What I'm Looking For" by Us; and "Somebody to Love" by Queen
1:30 PM – Mission Hills H.S., CA
Mission Hills H.S., CA
San Marcos, CA
DIRECTOR: Chris Coughlin
DRUM MAJORS: Emma Benas, Lily Herrington, Pablo Lara, Alex Nguyen, and Ariobhimo Van Rooij
REPERTOIRE: The Avant Garden
MUSICAL SELECTIONS INCLUDE: "The Rite of Spring" by Igor Stravinsky
1:45 PM – Buchanan H.S., CA
Buchanan H.S., CA
Clovis, CA
DIRECTOR: John Lack
DRUM MAJORS: Rani Padua and Anna Ross
REPERTOIRE: The Tortured Poet
MUSICAL SELECTIONS INCLUDE: "The Rebellion Suite from Andor" by Nicholas Britell; "Moonlight Sonata Third Movement" by Ludwig van Beethoven; "Uninvited" by Alanis Morissette; "Piano Concerto No. 2 in F major, Op. 102 First Movement" by Dmitri Shostakovich; "Claire de Lune" by Claude Debussy; "Exit Music (for a Film)" by Radiohead; and "I Can Do It With a Broken Heart" by Taylor Swift
2:00 PM – Arbor View H.S., NV
Arbor View H.S., NV
Las Vegas, NV
DIRECTOR: Paul Beuning, Carl Baker, and Nick Waters
DRUM MAJORS: Evan Hinton, Alexander Murphy, and Abigail Gardner
REPERTOIRE: Caught in the Web
MUSICAL SELECTIONS INCLUDE: "I Put a Spell on You" by Screamin' Jay Hawkins and Herb Slotkin; "Black Widow" by Iggy Azlea; and "Run Boy Run" by Woodkid
2:15 PM – Chino Hills H.S., CA
Chino Hills H.S., CA
Chino Hills, CA
DIRECTOR: Jonathan Probst
DRUM MAJORS: Joanne Park, Jenna Framan, Sophia Liu, and Miley Lu
REPERTOIRE: In Frame
MUSICAL SELECTIONS INCLUDE: "Gnossienne no. 1" by Erik Satie; "Jóga" by Björk; and Original Music by Ian Grom and John Mapes
2:30 PM – Ayala H.S., CA
Ayala H.S., CA
Chino Hills, CA
DIRECTOR: Tim Trost
DRUM MAJORS: Candice Tseng, Penelope Scudder, Zach Bilby, and Preston Hundley
REPERTOIRE: The Never-Ending Staircase
MUSICAL SELECTIONS INCLUDE: "To the Stars" by Randy Edelman; "Gravity" by Sara Bareilles; "Dies Irae" by Giuseppe Verdi; "Confutatis" by W.A. Mozart; and "160 bpm" by Hans Zimmer
Venue Info

Venue Info

Eagle Stadium
13500 Victoria St, Rancho Cucamonga, CA 91739

Bag Policy
Music for All encourages spectators to avoid bringing bags. Depending on venue guidelines, small clear bags, diaper bags and emergency medical bags might be allowed. Bag policies help speed up entry and enhance safety. Camera bags are typically allowed at each venue.

Cashless Venues
We recommend planning ahead and bringing both cash and card to Bands of America events. All Bands of America ticket booths are cashless, with digital ticketing options only. Many stadiums operate cashless concessions. PepWear merchandise booths accept both cash and card.

Adjudicators

Adjudicators

Music Panel
David Morrison – Arlington Heights, IL
Tom Dean – Newburgh, IN
Mark Nichols – Houston, TX
Kyle Weirich – Elkhart, IN

Visual Panel
Tony Cimino – Cedar Park, TX
Brandon Spidel – Indianapolis, IN
Michael D. Turner – San Francisco, CA

Chief Judge
Clif Walker – Kansas City, MO

Host

Thank you to today’s host group!

Etiwanda High School Marching Eagle Regiment

FAQ

Frequently Asked Questions

Digital Ticketing

Bands of America ticketing is all digital. Tickets cannot be purchased with cash, only with credit and debit cards.

We strongly encourage spectators to purchase their tickets online in advance before arriving at the stadium.

Camera Policy and Video Recording

Only still photography is allowed, and only from general admission seats. Still photography is not allowed at field level.

Tripods, bipods, and monopods should not be used and the viewing experience of other spectators may not be disrupted.

Video and audio recording of any kind is not allowed, no exceptions.

Credentials – Band Field Passes
  • Each competing band is given 31 credentials with the option to purchase up to 10 additional credentials. Bands are given the exact number of bus driver wristbands as they request vehicle passes. Up to 2 medical passes for nurses can be requested by the band director. There are NO videographer passes.
  • A pass or a ticket is required to get into the stadium as a spectator.
  • Bands of American events are mobile entry and can be purchased in advance.
The Audience Has an Important Role to Play!

The audience and performance environment is a key piece of the Bands of America experience. Parents and fans have their own role to perform, which they undertake with enthusiasm. The atmosphere of good sportsmanship, mutual support, and appreciation for all of the performers on the field creates a positively life-changing experience for the students, as well as the parents and supporters. Meeting and engaging with parents and fans from other programs creates opportunities for networking and provides an extended voice in support of music education.

Bands of America and Music for All emphasizes the pursuit of performance excellence and the educational experience of participation. The commentary offered by the Bands of America judges provides educators and students with comments and meaningful assessment – much more than simply selecting a winner or placement. The commentary provides information on how directors and students are doing and what they need to do to improve. Each judge has a slightly different responsibility in this, but all point to the same mission: to create, provide, and expand positively life-changing experiences. Your applause, your encouragement, and your standing ovations will make this an unforgettable experience for the thousands of young people performing today.

THE VALUE OF COMPETITION
Competition is woven into the very fabric of America and has helped to foster the development of the strongest nation on Earth. Bands of America and Music for All believe that competing is a great motivator and provides amazing opportunities for learning life lessons. The essence of competition is in the striving for performance excellence and being held accountable for learning. If the focus is on the learning, the competitive climate will be a source extremely valuable in life. On the other hand, the negativity associated with “winning at all costs” will be a detriment to personal growth. Winning is certainly a monumental benchmark, as is any measurement in the competitive arena. Performing your very best in competition is also a benchmark, as is competing with the very best programs. By choosing to participate in competition, individuals and groups have already “won” simply by being highly motivated.

The competitive arena provides a very precious opportunity to practice quality sportsmanship and sincere appreciation for the hard work of others. It also is the place where the very best models in our activity can be displayed and celebrated. All performers need models to demonstrate possibility at the highest levels of performance and artistry. Bands of America encourages all participants to stay for Finals, show appreciation for those models, and for finalists to “break ranks” in order to congratulate each other for their successes. As all programs continue to improve through motivation, the competition strengthens everyone, pushing us beyond what we believed to be our potential. Each and every band performance is a gift to us all and must be treasured. First place is fleeting, but the learning associated with the striving for excellence, the cooperative work ethic, and the appreciation of others is everlasting. Bands of America encourages participants, parents, and friends to celebrate the high value of the competitive environment for its lessons and to become immersed in “positively life-changing experiences.”

— From the Bands of America Official Procedures and Adjudication Handbook

Be a Good Audience Member

Music is designed for all the senses. For everyone to fully enjoy the performances, we ask that you please adhere to the following. Your cooperation is greatly appreciated.

  • Please turn off or silence all cell phones, pagers, watches, and other personal electronic devices.
  • Do not leave or return to your seat during performances.
  • Keep all aisles clear. Please do not enter or exit the seating area or move within the seating area during performances. Respect the performers and your fellow spectators.
  • Please do not carry on conversations during performances or talk in a manner that disturbs your neighbors.
  • No smoking in the stadium.
  • Anyone exhibiting inappropriate behavior that disturbs the performances or the enjoyment of those around them may be asked to leave the stadium at the discretion of the contest director.
How is classification determined?

Bands of America has a four-class system (A-AAAA). Bands are assigned to classes based on enrollment levels in grades 10-12 as verified by each school's administration.

How is performance order determined?

Preliminary performance times are scheduled based on a random draw. Applications received and paid for on or before January 31, 2025, were eligible for the initial draw, after which performance times are based on postmark of application, with earlier postmarks receiving the later performance times. The previous year’s Regional Champion has the option to choose its Prelims performance time. Finals performances are scheduled by a random draw on site.

Who can enroll?

Enrollment is open to all high school bands on a first-come, first-served basis.

"What are the judges looking for?"

Bands receive recorded evaluation from each judge. The emphasis is on the input the judge offers to the band’s program. It is the position of Bands of America that music is the more important aspect of the performance, with marching as the presentation and visual enhancement of the program. Likewise, greater emphasis is placed on general effect than on fine-line perfection of the performance.

The weight of the numbers places 60% of the value on music and 40% on visual, as well as 60% on general effect and 40% on performance. Each judge is assigned a specific area on which they focus: ensemble and general effect judges are located at a vantage point from above (e.g., press box), and individual performance judges are located on the field. You can download the adjudication handbook from marching.musicforall.org for more information.

Why aren’t classifications announced?

By nature, appreciation of arts requires subjective reactions. We do not announce or publish band classifications, before or during events. Our intention is to not draw attention to classification, so as to eliminate expectations of a band’s performance based on class, including those of the judges.

How are finalist bands selected?

RegionalsThe top 12 scoring bands, regardless of class, are invited to compete in the evening’s Regional Finals.

Super RegionalsSuper Regional Championships accept 14 bands into Finals. The 14 bands are chosen according to the following procedure: the five highest scoring bands in each of the two Prelims judging panels, regardless of class, plus the next four highest scoring bands from both of the two Prelims, regardless of class, will advance to Finals. If a Class Champion is not among the highest scoring bands advancing to Finals, they will be invited to perform at Finals in exhibition.

Participating Band Dinner Break and Picnic Area
  • The stadium will be cleared after Prelims Awards and reopened for Finals. Concessions will be closed during the dinner break between Prelims and Finals.
  • Any feeding of band students must be in the designated Picnic Area. Please see the director Final Packet documents for this show for information and location of designated Picnic Area.