Carolina Regional

October 4, 2025 • Brooks Stadium • Conway, SC

Schedule & Bands
Event Schedule

See prelims performance times in the section below the event schedule.

6:30 a.m. – Box Office Opens
7:00 a.m. – Stadium Gates Open
4:15 p.m. – Exhibition Performance: The Chanticleer Regiment
4:30 p.m. – Presentation of Class Awards

Finals Schedule

6:00 p.m. – Gates Open for Finals
6:30 p.m. – National Anthem & Special On-Field Welcome
7:00 PM — Seymour H.S., TN
7:15 PM — Ashley Ridge H.S., SC
7:30 PM — West Florence H.S., SC
7:45 PM — Summerville H.S., SC
8:00 PM — Riverside H.S., SC
8:15 PM — Mauldin H.S., SC
8:30 PM — River Bluff H.S., SC
8:45 PM — Catawba Ridge H.S., SC
9:00 PM — Cleveland H.S., NC
9:15 PM — Mooresville H.S., NC
9:30 PM — Blythewood H.S., SC
9:45 PM — Wando H.S., SC
10:00 PM — Class A Exhibition: Cheraw H.S., SC
10:15 p.m. – Finale – Presentation of Awards

Participating Bands

Information last updated October 19, 2025. All times shown are Eastern time.

7:45 AM – North Myrtle Beach H.S., SC
North Myrtle Beach H.S., SC
Little River, SC
DIRECTOR: Peter DiLeo
DRUM MAJORS: Kohlton Rosati
REPERTOIRE: Elemental
MUSICAL SELECTIONS INCLUDE: "Earth" by Earth, Wind & Fire/Dmitry Shostakovich and "Wind, Fire, Water & The 5th Element" by Josh Hinkel
8:00 AM – JL Mann Academy, SC
JL Mann Academy, SC
Greenville, SC
DIRECTOR: Colton D. Stewart
DRUM MAJORS: Amelia Scwhab
REPERTOIRE: Shatter The Web
MUSICAL SELECTIONS INCLUDE: "Merry Go Round of Life" by Joe Hisaishi; "Danse Macabre" by Camille Saint-Saëns; "Rise Up" by Andra Day; "Run Boy Run" by Woodkid; and "Dies Irae" by Thomas of Celano
8:15 AM – Ashley Ridge H.S., SC
Ashley Ridge H.S., SC
Summerville, SC
DIRECTOR: Meredith Henjes
DRUM MAJORS: Abigail Hegedus, Kota Daniel, and Cayden Valladares
REPERTOIRE: The Dark Side
MUSICAL SELECTIONS INCLUDE: "Symphony No. 2, Mvt. 3 (Apollo Unleashed)" by Frank Ticheli; "Fly Me To the Moon" by Frank Sinatra; "The Abyss (Finale)" Alan Silvestri; "Contact" by Alan Silvestri; and "The Great Gig in the Sky" by Pink Floyd
8:30 AM – Seymour H.S., TN
Seymour H.S., TN
Seymour, TN
DIRECTOR: Joseph Cole
DRUM MAJORS: Ariel Lowe and Allie McHan
REPERTOIRE: Minor Alterations
MUSICAL SELECTIONS INCLUDE: "Eine Kleine Nachtmusik" by Wolfgang Amadeus Mozart; "Morning Mood" by Edvard Grieg; "Can Can" by Johannes Offenbach; "Tiny Dancer" by Elton John; "William Tell Overture" by Gioachino Rossini; and "Hallelujah Chorus" by George Frideric Handel
8:45 AM – Cleveland H.S., NC
Cleveland H.S., NC
Clayton, NC
DIRECTOR: Jason Heard
DRUM MAJORS: Mattie Watkins and Isaias De La Cruz
REPERTOIRE: Burtonesque
MUSICAL SELECTIONS INCLUDE: "Actually I'm Feeling Much Better" by Benjamin WallFisch; "Sweeney Todd: Opening Title" by Stephen Sondheim; Main Title "Beetle Juice" by Danny Elfman; "Music for an Imaginary Play: The Winter Road" by Alfred Schnittze; "Pan's Labyrinth Lullaby" Mommietroll; Original Music by Andrew Markworth; and "Acts of Congress: 1. The Bats of Ladybird" by Ryan Ladybird
9:15 AM – Catawba Ridge H.S., SC
Catawba Ridge H.S., SC
Fort Mill, SC
DIRECTOR: Patrick Butler and David Shives
DRUM MAJORS: Zane Snipes, Liam Murphy, Aqueelah Jones, and Ian Savoy
REPERTOIRE: This Version of You
MUSICAL SELECTIONS INCLUDE: "This Version of You" by Odesza; "Stroke of Genius" by Lorne Balfe; "Sona" by Zedd & the Olllam; "What a Wonderful World" by Joseph William Morgan; "Slip" by Shubh Saran; and "The Profane" by Shubh Saran
9:30 AM – Midway H.S., NC
Midway H.S., NC
Newton Grove, NC
DIRECTOR: Joshua Tew and Jesse Shelton
DRUM MAJORS: William Autry and Samantha Florido Lopez
REPERTOIRE: New York Nostalgia
MUSICAL SELECTIONS INCLUDE: "New York New York" by Betty Comden, Leonard Bernstein, Adolph Green; "Empire State of Mind" by Alicia Augello- Cook, Shawn Carter, Sylvia Robinson, Angela Hunte, Janet Sewell, Burt Keys, Al Shuckburgh; "Auld Lang Syne" by Robert Burns; and "Theme from New York, New York" by Fred Ebb, John Kander
9:45 AM – St. James H.S., SC
St. James H.S., SC
Murrells Inlet, SC
DIRECTOR: Chuck Capps
DRUM MAJORS: Angel Mose and Olivia Rose
REPERTOIRE: Sharkopoly
MUSICAL SELECTIONS INCLUDE: "Take A Chance On Me" by Benny Anderson, Bjorn Ulvaeus; "Sharkopoly" by Joshua Hinkle; "Free Fallin'" by Tom Petty; "Folsom Prison Blues" by Johnny Cash; and "Celebration" by Kool & The Gang
10:00 AM – Jack Britt H.S., NC
Jack Britt H.S., NC
Fayetteville, NC
DIRECTOR: Timothy Parsons
DRUM MAJORS: Brianna Hebrank, Sara Bordewick, and Landon Witherspoon
REPERTOIRE: In Plain Sight
MUSICAL SELECTIONS INCLUDE: "You Will Be Found" by Benj Pasek and Justin Paul; "Urband Dances" by Richard Danielpour; "Hide and Seek" by Imogen Heap; "Ready of Not" by The Fugees; and "Lost It To Trying" by Son Lux
10:15 AM – Fort Dorchester H.S., SC
Fort Dorchester H.S., SC
North Charleston, SC
DIRECTOR: Cameron M. Watkins
DRUM MAJORS: Maddox Schwede, Myles Bradley, and Kadence Key
REPERTOIRE: Urban Canvas
MUSICAL SELECTIONS INCLUDE: "Metal" by Brian Balmages; "Urban Dances" by Erik Morales; "Kaleidoscope" by Chappell Roan; and "Sky Dance" by Richard Saucedo
10:30 AM – Carolina Forest H.S., SC
Carolina Forest H.S., SC
Myrtle Beach, SC
DIRECTOR: Mark Roddy
DRUM MAJORS: Kaitlyn Hafrel and Avery Currie
REPERTOIRE: Edward
MUSICAL SELECTIONS INCLUDE: "Uninvited" by Alanis Morrisette; "Ballet de Serburbia" by Danny Elfman; "Opening Titles" by Danny Elfman; "Ice Dance" by Danny Elfman; "Edwardo the Barber" by Danny Elfman; "Nocturen in F minor" by Fredrick Chopin; and "Closing Title" by Danny Elfman
10:45 AM – Chapin H.S., SC
Chapin H.S., SC
Chapin, SC
DIRECTOR: Alex Clark
DRUM MAJORS: Drew Patrick and Tyler Jeffcoat
REPERTOIRE: "The Other Side"
MUSICAL SELECTIONS INCLUDE: "Both Sides Now" by Joni Mitchell and "Stardust Crusaders" by Yugo Kanno
11:00 AM – Indian Land H.S., SC
Indian Land H.S., SC
Indian Land, SC
DIRECTOR: Shelly Strauss
DRUM MAJORS: Tate Kisch, Brandon Adams, and Antonella Voccola
REPERTOIRE: Strings of Fate
MUSICAL SELECTIONS INCLUDE: "Symphony No. 4 in f minor" by Tchaikovsky; "As If A Voice Were In Them" by Oliver Waespi; and "Star Crossed" by Kacey Musgraves
12:00 PM – New Bern H.S., NC
New Bern H.S., NC
New Bern, NC
DIRECTOR: Chris Elbing
DRUM MAJORS: Alannah Ruberio
REPERTOIRE: The Uninvited
MUSICAL SELECTIONS INCLUDE: "Night on Bald Mountain" by Modest Mussorgsky; "Uninvited" by Alanis Morissette; Prelude from "Pyscho" by Bernard Herrmann; "Allegro Barbaro" by Bela Bartok; and "Incursione from Jojo's Bizzarre Adventure Golden Wind" by Yugo Kanono
12:15 PM – Riverside H.S., SC
Riverside H.S., SC
Greer, SC
DIRECTOR: Kris Bence and Wes Hipps
DRUM MAJORS: Zoe Winton and Sarah LaGrone
REPERTOIRE: Find Your Light
MUSICAL SELECTIONS INCLUDE: "Firefly" by Ryan George; "Earth Song" by Frank Ticheli; "to wALk Or ruN in wEst harlem" by Andy Akiho; and "Lights" by Ellie Goulding
12:30 PM – Cheraw H.S., SC
Cheraw H.S., SC
Cheraw, SC
DIRECTOR: J. Lance Stockton
DRUM MAJORS: JaKarr Spivey
REPERTOIRE: UnCaged
MUSICAL SELECTIONS INCLUDE: "Firebird Suite" by Stravinsky; "Blackbird" by The Beatles; "Blackbird Song" by Lee Dewyze; "Blackbirds" by MRKTS; "Suggestion Diabolique" by Sergei Prokofiev; and "I Want To Break Free" by Queen
12:45 PM – Socastee H.S., SC
Socastee H.S., SC
Myrtle Beach, SC
DIRECTOR: Will Jung
DRUM MAJORS: Taylor Polson and Julian VIllalpando
REPERTOIRE: ID-Entities
MUSICAL SELECTIONS INCLUDE: "Frost House" by Will Jung; "Promise of a Distance" by Will Jung; "Silence" by Will Jung; and "At Dawn" by Will Jung
1:00 PM – Mooresville H.S., NC
Mooresville H.S., NC
Mooresville, NC
DIRECTOR: Joshua Stevenson
DRUM MAJORS: Matthew Hart, Reese Croson, and Kaia Wisniowski
REPERTOIRE: Captured Hearts
MUSICAL SELECTIONS INCLUDE: "Love Suite" by Thomas Bergersen; Main Title from "The Queen's Gambit" by Carlos Rafael Rivera; "Butterflies" by Thomas Bergersen; "Alone" by William Steinberg; and "A Thousand Years" by Christina Perri
1:15 PM – Blythewood H.S., SC
Blythewood H.S., SC
Blythewood, SC
DIRECTOR: Andrew Brown
DRUM MAJORS: Elijah Hicks
REPERTOIRE: Outside the Bachs
MUSICAL SELECTIONS INCLUDE: "Jesu, Joy of Man's Desiring" by Johann Sebastian Bach; "Prelude in C" by Johann Sebastian Bach; "Little Fugue" by Johann Sebastian Bach; and "Toccata and Fugue" by Johann Sebastian Bach
1:30 PM – River Bluff H.S., SC
River Bluff H.S., SC
Lexington, SC
DIRECTOR: Kevin D. Hebert
DRUM MAJORS: Jonathan Unumb, Rosalie Jaramillo, Anthony Zou, and Andrew Ettinger
REPERTOIRE: Fantasie
MUSICAL SELECTIONS INCLUDE: "Gymnopedie no 1" by Erik Satie; "Young and Beautiful" by Lana Del Rey; and "Concerto for Orchestra" by Bela Bartok
2:00 PM – North Wilkes H.S., NC
North Wilkes H.S., NC
Hays, NC
DIRECTOR: James Robinson, II
DRUM MAJORS: June Meyerhofer and Nathaniel Lankford
REPERTOIRE: The Homestead
MUSICAL SELECTIONS INCLUDE: "Largo from Symphony No. 9" by Antonin Dvorak; "Home" by Drew Pearson and Greg Holden; "Home on The Range" by Daniel E. Kelly; "The Unclouded Day" by J.K. Alwood; and Original Music by Jonathan Martin
2:15 PM – Wando H.S., SC
Wando H.S., SC
Mt Pleasant, SC
DIRECTOR: Bobby Lambert, Lanie Radecke, and Matthew Kilby
DRUM MAJORS: Olivia O'Reilly*, Brian Shay*, Hanna Williams*, and Ben Snyder*
REPERTOIRE: We Are Such Stuff
MUSICAL SELECTIONS INCLUDE: "Gymnopedie No. 1" by Erik Satie; "Symphony No. 10 in E minor, Op. 93" by Dmitri Shostakovich; "Dancer in the Dark" by Bjork; and "Poor Things" by Jerskin Fendrix

*Drum Major attended the 2025 Bands of America Summer Camp

2:30 PM – West Florence H.S., SC
West Florence H.S., SC
Florence, SC
DIRECTOR: Johnny Powers
DRUM MAJORS: Mary Ella Grier, Zachary Reaves, and Katelynn McMillian
REPERTOIRE: SPIN-ovation
MUSICAL SELECTIONS INCLUDE: "Adagio from Spartacus" by Aram Khachaturian; "Symphony No. 3" by Aram Khachaturian; "Turning Tables" by Adele; and "Addicted to a Memory" by Matthew Bair and Anton Zaslavski
2:45 PM – Holly Springs H.S., NC
Holly Springs H.S., NC
Holly Springs, NC
DIRECTOR: Michael E. Biasi
DRUM MAJORS: Caitlyn Kelly
REPERTOIRE: Humanity Lost
MUSICAL SELECTIONS INCLUDE: "Symphony No. 4 in Eb Major" by Anton Bruckner; "Sanctuary" by Frank Tichelli; and "Sail" by Aaron Bruno
3:00 PM – Hartsville H.S., SC
Hartsville H.S., SC
Hartsville, SC
DIRECTOR: Nathaniel Harouff
DRUM MAJORS: Eli Russell and Brayden Harrington
REPERTOIRE: Ascension
MUSICAL SELECTIONS INCLUDE: "When I was older" by Billy Elish; "The Red Machine" by Peter Graham; and "My Body is a Cage" by Arcade Fire
3:15 PM – Ardrey Kell H.S., NC
Ardrey Kell H.S., NC
Charlotte, NC
DIRECTOR: Andrew Francis
DRUM MAJORS: Alex Nobles, Ashley Wang, and Gabe Fabiano
REPERTOIRE: Electrify
MUSICAL SELECTIONS INCLUDE: "Harder, Better, Stronger, Faster" by Daft Punk; "Thunderstruck" by AC/DC; "Flash" by Queen; "In The Air Tonight" by Phil Collins; "Lightning Field" by John Mackey; and "Electric Avenue" by Eddy Grant
3:30 PM – Summerville H.S., SC
Summerville H.S., SC
Summerville, SC
DIRECTOR: Leslie Gilreath and Michael Shiverdecker
DRUM MAJORS: Mallory Cuthbert
REPERTOIRE: The Art of POP!
MUSICAL SELECTIONS INCLUDE: "ArtPOP" by Lady Gaga; "Pieces of Glass" by Leslie Gilreath; "Dansa Kokopelli" by Michael Kamen; "The Joker and the Queen" by Ed Sheeran; and "Don't Rain on My Parade" by Jule Styne
3:45 PM – Mauldin H.S., SC
Mauldin H.S., SC
Mauldin, SC
DIRECTOR: Adam Scheuch
DRUM MAJORS: Troy Sult, Samantha Breakfield, Sahalia Prescott, and Norah Dennis
REPERTOIRE: Stardust
MUSICAL SELECTIONS INCLUDE: "Lost It to Trying" by Son Lux; "Take Me Home" by The Staves; and "For I Have Fought the Good Fight" by Stephen Melillo
Venue Info

Venue Info

Brooks Stadium
100 Chanticleer Dr E, Conway, SC 29528

Bag Policy
View the Coastal Carolina Athletics Clear Bag Policy

Specator Parking

  • Parking is availalbe in Lot GG at 100 Chanticleer Dr.
  • ADA parking is available in lot QQ with valid plackard or license plate for admission.
  • Parking is free of charge
  • Shuttle available: Complimentary shuttle available, departing from Chanticleer East Drive at the EE lot. The shuttle drops off in lot QQ.
    • Continuous loop shuttle running from 7:00 AM to 11:30 PM

Cashless Venues
We recommend planning ahead and bringing both cash and card to Bands of America events. All Bands of America ticket booths are cashless, with digital ticketing options only. Many stadiums operate cashless concessions. PepWear merchandise booths accept both cash and card.

Adjudicators

Adjudicators

Music Panel
Steve Bentley – Salt Lake City, UT
Andrew Buikema – Rockford, MI
Andrew Carr – West Chester, OH
Greg White – San Antonio, TX

Visual Panel
Scott Beck – Atlanta, GA
Kim Kuhn – Westland, MI
Tim Pierce – Memphis, TN

Chief Judge
John Phillips – Indianapolis, IN

Host

Thank you to today’s host group!

The Chanticleer Regiment

FAQ

Frequently Asked Questions

Digital Ticketing

Bands of America ticketing is all digital. Tickets cannot be purchased with cash, only with credit and debit cards.

We strongly encourage spectators to purchase their tickets online in advance before arriving at the stadium.

Camera Policy and Video Recording

Only still photography is allowed, and only from general admission seats. Still photography is not allowed at field level.

Tripods, bipods, and monopods should not be used and the viewing experience of other spectators may not be disrupted.

Video and audio recording of any kind is not allowed, no exceptions.

Credentials – Band Field Passes
  • Each competing band is given 31 credentials with the option to purchase up to 10 additional credentials. Bands are given the exact number of bus driver wristbands as they request vehicle passes. Up to 2 medical passes for nurses can be requested by the band director. There are NO videographer passes.
  • A pass or a ticket is required to get into the stadium as a spectator.
  • Bands of American events are mobile entry and can be purchased in advance.
The Audience Has an Important Role to Play!

The audience and performance environment is a key piece of the Bands of America experience. Parents and fans have their own role to perform, which they undertake with enthusiasm. The atmosphere of good sportsmanship, mutual support, and appreciation for all of the performers on the field creates a positively life-changing experience for the students, as well as the parents and supporters. Meeting and engaging with parents and fans from other programs creates opportunities for networking and provides an extended voice in support of music education.

Bands of America and Music for All emphasizes the pursuit of performance excellence and the educational experience of participation. The commentary offered by the Bands of America judges provides educators and students with comments and meaningful assessment – much more than simply selecting a winner or placement. The commentary provides information on how directors and students are doing and what they need to do to improve. Each judge has a slightly different responsibility in this, but all point to the same mission: to create, provide, and expand positively life-changing experiences. Your applause, your encouragement, and your standing ovations will make this an unforgettable experience for the thousands of young people performing today.

THE VALUE OF COMPETITION
Competition is woven into the very fabric of America and has helped to foster the development of the strongest nation on Earth. Bands of America and Music for All believe that competing is a great motivator and provides amazing opportunities for learning life lessons. The essence of competition is in the striving for performance excellence and being held accountable for learning. If the focus is on the learning, the competitive climate will be a source extremely valuable in life. On the other hand, the negativity associated with “winning at all costs” will be a detriment to personal growth. Winning is certainly a monumental benchmark, as is any measurement in the competitive arena. Performing your very best in competition is also a benchmark, as is competing with the very best programs. By choosing to participate in competition, individuals and groups have already “won” simply by being highly motivated.

The competitive arena provides a very precious opportunity to practice quality sportsmanship and sincere appreciation for the hard work of others. It also is the place where the very best models in our activity can be displayed and celebrated. All performers need models to demonstrate possibility at the highest levels of performance and artistry. Bands of America encourages all participants to stay for Finals, show appreciation for those models, and for finalists to “break ranks” in order to congratulate each other for their successes. As all programs continue to improve through motivation, the competition strengthens everyone, pushing us beyond what we believed to be our potential. Each and every band performance is a gift to us all and must be treasured. First place is fleeting, but the learning associated with the striving for excellence, the cooperative work ethic, and the appreciation of others is everlasting. Bands of America encourages participants, parents, and friends to celebrate the high value of the competitive environment for its lessons and to become immersed in “positively life-changing experiences.”

— From the Bands of America Official Procedures and Adjudication Handbook

Be a Good Audience Member

Music is designed for all the senses. For everyone to fully enjoy the performances, we ask that you please adhere to the following. Your cooperation is greatly appreciated.

  • Please turn off or silence all cell phones, pagers, watches, and other personal electronic devices.
  • Do not leave or return to your seat during performances.
  • Keep all aisles clear. Please do not enter or exit the seating area or move within the seating area during performances. Respect the performers and your fellow spectators.
  • Please do not carry on conversations during performances or talk in a manner that disturbs your neighbors.
  • No smoking in the stadium.
  • Anyone exhibiting inappropriate behavior that disturbs the performances or the enjoyment of those around them may be asked to leave the stadium at the discretion of the contest director.
How is classification determined?

Bands of America has a four-class system (A-AAAA). Bands are assigned to classes based on enrollment levels in grades 10-12 as verified by each school's administration.

How is performance order determined?

Preliminary performance times are scheduled based on a random draw. Applications received and paid for on or before January 31, 2025, were eligible for the initial draw, after which performance times are based on postmark of application, with earlier postmarks receiving the later performance times. The previous year’s Regional Champion has the option to choose its Prelims performance time. Finals performances are scheduled by a random draw on site.

Who can enroll?

Enrollment is open to all high school bands on a first-come, first-served basis.

"What are the judges looking for?"

Bands receive recorded evaluation from each judge. The emphasis is on the input the judge offers to the band’s program. It is the position of Bands of America that music is the more important aspect of the performance, with marching as the presentation and visual enhancement of the program. Likewise, greater emphasis is placed on general effect than on fine-line perfection of the performance.

The weight of the numbers places 60% of the value on music and 40% on visual, as well as 60% on general effect and 40% on performance. Each judge is assigned a specific area on which they focus: ensemble and general effect judges are located at a vantage point from above (e.g., press box), and individual performance judges are located on the field. You can download the adjudication handbook from marching.musicforall.org for more information.

Why aren’t classifications announced?

By nature, appreciation of arts requires subjective reactions. We do not announce or publish band classifications, before or during events. Our intention is to not draw attention to classification, so as to eliminate expectations of a band’s performance based on class, including those of the judges.

How are finalist bands selected?

RegionalsThe top 12 scoring bands, regardless of class, are invited to compete in the evening’s Regional Finals.

Super RegionalsSuper Regional Championships accept 14 bands into Finals. The 14 bands are chosen according to the following procedure: the five highest scoring bands in each of the two Prelims judging panels, regardless of class, plus the next four highest scoring bands from both of the two Prelims, regardless of class, will advance to Finals. If a Class Champion is not among the highest scoring bands advancing to Finals, they will be invited to perform at Finals in exhibition.

Participating Band Dinner Break and Picnic Area
  • The stadium will be cleared after Prelims Awards and reopened for Finals. Concessions will be closed during the dinner break between Prelims and Finals.
  • Any feeding of band students must be in the designated Picnic Area. Please see the director Final Packet documents for this show for information and location of designated Picnic Area.