Dallas Mid-Cities Regional

October 4, 2025 • Pennington Field • Bedford, TX

Schedule & Bands
Event Schedule

See prelims performance times in the section below the event schedule.

8:45 a.m. – Box Office Opens
9:15 a.m. – Stadium Gates Open

4:30 p.m. – Presentation of Class Awards

Finals Schedule

6:30 PM – Gates Open for Finals
7:00 PM – National Anthem & Special On-Field Welcome
7:30 PM — Keller H.S., TX
7:45 PM — Timber Creek H.S., TX
8:00 PM — L.D. Bell H.S., TX
8:15 PM — Aledo H.S., TX
8:30 PM — Wylie East H.S., TX
8:45 PM — Lone Star H.S., TX
9:00 PM — Prosper H.S., TX
9:15 PM — Coppell H.S., TX
9:30 PM — Wakeland H.S., TX
9:45 PM — Waxahachie H.S., TX
10:00 PM — Flower Mound H.S., TX
10:15 PM — Hebron H.S., TX
10:30 PM — Class AA Exhibition: Collinsville H.S., OK
10:45 PM – Finale – Presentation of Awards

Participating Bands

Information last updated November 14, 2025. All times shown are Central time.

9:45 AM – Keller H.S., TX
Keller H.S., TX
Keller, TX
DIRECTOR: Daniel Bloss
DRUM MAJORS: Ashley Chung, Grayson Hicks, and Candice Santoso
REPERTOIRE: Carpe Noctem
MUSICAL SELECTIONS INCLUDE: Original Music by Carol Brittin Chambers; "Medea's Dance of Vengeance" by Samuel Barber; "Dead Elvis" by Michael Daugherty; and "Nothing Else Matters" by Metallica
10:00 AM – Azle H.S., TX
Azle H.S., TX
Azle, TX
DIRECTOR: Greg Davis
DRUM MAJORS: Brady Danford, Lila Harden, Violet Isom, and Ellie Bennett
REPERTOIRE: The Fire Within
MUSICAL SELECTIONS INCLUDE: "Fearless" by Carol Britten Chambers; "Kaleidoscope" by Chappell Roan; "Symphony No 10" by Dmitri Shostakovich; "The Firebird" by Igor Stravinsky; and "Archangel" by Thomas Bergersen
10:15 AM – Timber Creek H.S., TX
Timber Creek H.S., TX
Fort Worth, TX
DIRECTOR: Brad McCann
DRUM MAJORS: Kate Margason, Katherine McGovern, Rebekah Fleitas, Micah Howard, and Eddie Weber
REPERTOIRE: veloCITY
MUSICAL SELECTIONS INCLUDE: "Hand Covers Bruise" by Atticus Ross and Trent Reznor; "Masks and Machines" by Paul Dooley; "Street Song" by Michael Tilson Thomas; "NO one To kNOW one" by Andy Akiho; and Original Music by Andrew Markworth
10:30 AM – Sachse H.S., TX
Sachse H.S., TX
Sachse, TX
DIRECTOR: Heath Nall
DRUM MAJORS: Josh Ahbra, Sofia Kolath, Knox Ray, Chloe Rex, and Alyssa Zavala
REPERTOIRE: Be Kind, Rewind
MUSICAL SELECTIONS INCLUDE: "Be Kind, Rewind Part 2" by Magne Furuholmen/Morten Harket/Pal Waaktaar; "Be Kind, Rewind Part 1" by Michael Sembello/Dennis Matkosky; "Be Kind, Rewind Part 3" by Rob Hyman/Cyndi Lauper/Andrew Hyman; and "Be Kind, Rewind Part 4" by Terje Olsen/Tom Kelly/Billy Steinberg
10:45 AM – Berkner H.S., TX
Berkner H.S., TX
Richardson, TX
DIRECTOR: Amy Mayes
DRUM MAJORS: Ivie Enosegbe, Kadyn Lewis, and Alexa Vera
REPERTOIRE: Dream On
MUSICAL SELECTIONS INCLUDE: "Serenada Schizophrenia" by Danny Elfman; "Sleep" by Eric Whitacre; "Dream On" by Steven Tyler; "The Paper Man" by Harrison J. Collins; and "Lullaby" Johannes Brahms
11:00 AM – W.E. Boswell H.S., TX
W.E. Boswell H.S., TX
Fort Worth, TX
DIRECTOR: Joshua Stover
DRUM MAJORS: Miranda Cuellar, Aiden Delgado, Daniel Navarrette, and Tahemy Plaza Roman
REPERTOIRE: Someplace, Somewhere
MUSICAL SELECTIONS INCLUDE: Symphony #2 "Resurrection" by Gustav Mahler; "Break On Through (to the other side)" by The Doors; and "Fugue from Young Person's Guide to the Orchestra" by Benjamin Britten
12:00 PM – Prosper H.S., TX
Prosper H.S., TX
Prosper, TX
DIRECTOR: Aaron Renzenbrink
DRUM MAJORS: Katie Lynn Sepper, Katie Lee, Lahiri Gudipati, Archita Bharatram, and Leonardo Lujan-Rocha
REPERTOIRE: The Odyssey
MUSICAL SELECTIONS INCLUDE: "Symphony No.2 - The Odyssey" by Robert W. Smith
12:15 PM – Trinity H.S., TX
Trinity H.S., TX
Euless, TX
DIRECTOR: Chris Kanicki
DRUM MAJORS: Bryson Rodenburgh, Marissa Harris, Emi Manangan, and Gamer Bakri
REPERTOIRE: Prophecy
MUSICAL SELECTIONS INCLUDE: "Kaval Sviri" by Petar Stefanov Lyondev; "Instinctive Travels" by Michael Markowski; "Wayfaring Stranger" by Christopher Nelson; "Todo Tiende" by Ojos de Brujo; and "Caravan" by Duke Ellington
12:30 PM – Lone Star H.S., TX
Lone Star H.S., TX
Frisco, TX
DIRECTOR: Mark Poole
DRUM MAJORS: Garyn Marshall, Hayden Kaiser, Tyler Fields, and Zoe Price
REPERTOIRE: The Journey
MUSICAL SELECTIONS INCLUDE: "Any Way you Want It" by Journey; "open arms" by Journey; "Piano Concerto No. 2" by Rachmoninoff; "Children's Hour of Dream" by Mingus; "Caravan" by Ellington; "Separate Ways" by Journey; and "Don't Stop Believin''" by Journey
12:45 PM – Keller Central H.S., TX
Keller Central H.S., TX
Fort Worth, TX
DIRECTOR: Andrew Nance
DRUM MAJORS: Piper Henderson, Amber Neugent, and Roman Weatherbee
REPERTOIRE: DeConstruct
MUSICAL SELECTIONS INCLUDE: "Symphonic Movement" by Nehlybel; "What Was I Made For" by Billie Eilish; and "The Four Sections" by Steve Reich
1:00 PM – Wylie East H.S., TX
Wylie East H.S., TX
Wylie, TX
DIRECTOR: Holly Taylor
DRUM MAJORS: Josh Costello, Nathan Riddall, Ryland Emard, and Ryan Porter
REPERTOIRE: Your Brain on Art
MUSICAL SELECTIONS INCLUDE: "Pictures at an Exhibition" by Mussorgsky; "Zombie" by Cranberries; "Symphony No. 1 Mvt. 2" by Shostakovich; "Blow It Up and Start Again" by Jonathan B. Newman; and "Great Gate of Kiev" by Mussorgsky
1:15 PM – Waxahachie H.S., TX
Waxahachie H.S., TX
Waxahachie, TX
DIRECTOR: Justin Bell
DRUM MAJORS: Donald Brackenridge, Joaquin Molina, Valeria Rocha-Medina, and Kendrick Wallace
REPERTOIRE: Perplex
MUSICAL SELECTIONS INCLUDE: "Rogue" by Berend Salverda; "Electric Counterpoint" by Steve Reich; "November" by Max Richter; and "Hyperlink" by Peter Graham
1:30 PM – Wakeland H.S., TX
Wakeland H.S., TX
Frisco, TX
DIRECTOR: Rylon Guidry
DRUM MAJORS: Cami Smith, Hayden Lee, and CJ Uldrich
REPERTOIRE: Fractured
MUSICAL SELECTIONS INCLUDE: "Separate Ways" by Journey; "Primacy of Number" by Philp Glass; "Creep" by Radiohead; and "Flase Mirrors" by Jay Bocook
1:45 PM – Southlake Carroll H.S., TX
Southlake Carroll H.S., TX
Southlake, TX
DIRECTOR: Ken Johnson
DRUM MAJORS: Mayli Reinke, Malak Almasry, Ryan Vu, Jackson Henderson, and Sophia Kidwell
REPERTOIRE: Cordially Yours
MUSICAL SELECTIONS INCLUDE: "Rhapsody on a Theme By Paganini, Op. 43" Sergei Rachmaninoff; "Gianni Schicchi" by Giacomo Puccini; "Oomp-Loompa" by Leslie Bricusse and Anthony Newley; "Malaguena" by Ernesto Lecuona; "Channel One Suite" by Bill Reddie; "Fracas" by Randall Standridge; and "Death By Chocolate" Joby Talbot
2:30 PM – Flower Mound H.S., TX
Flower Mound H.S., TX
Flower Mound, TX
DIRECTOR: Brent Biskup
DRUM MAJORS: Evelyn Kim, Shalom Lee, Ethan Murray, Irene Park, and Krish Venkatesh
REPERTOIRE: MultiFACEted - Explorations into the Cubist style of Pablo Picasso
MUSICAL SELECTIONS INCLUDE: "Boreas" by Hirokazu Fukushima
2:45 PM – L.D. Bell H.S., TX
L.D. Bell H.S., TX
Hurst, TX
DIRECTOR: Suzanne Dell
DRUM MAJORS: Caidyn Cumberledge, Pragyan Dahal, Jonathan Dell, and Shelby Kilcrease
REPERTOIRE: The Longest Night
MUSICAL SELECTIONS INCLUDE: "Hengilas" by Jonsi; "Winter" by Vivaldi; "Pyramid Song/Everything In Its Right Place" by Radiohead; and "Hyperballad" by Bjork
3:00 PM – Chisholm Trail H.S., TX
Chisholm Trail H.S., TX
Fort Worth, TX
DIRECTOR: Derrick Doyle
DRUM MAJORS: Layla Azizi, Noah Gomez, and Xavien Valenzuela
REPERTOIRE: Finding Balance
MUSICAL SELECTIONS INCLUDE: "Ramalama Bang Bang" by Roisin Murphy; "Seems Uncertain" by Nicholas Lofton Hexum; "The Chairman Dances" by John Adams; and "Brief Eternity" by Bobby McFerrin
3:15 PM – Aledo H.S., TX
Aledo H.S., TX
Aledo, TX
DIRECTOR: Dexx Moore
DRUM MAJORS: Jackson Sirois, James Leising, Addison Bean, and Harper Jones
REPERTOIRE: Sonic Boom
MUSICAL SELECTIONS INCLUDE: "Turbo Scramjet" by Williams Pitts; "Caves" by Cody Fry; "The Night Window (from '1917')" by Thomas Newman; "Quien Eres Tu (Kyen EH-res too)" by Thomas Bergersen; and "Top Gun Anthem" by Harold Faltermeyer
3:30 PM – Coppell H.S., TX
Coppell H.S., TX
Coppell, TX
DIRECTOR: Kim Shuttlesworth
DRUM MAJORS: Alexa Jacob, Akshara Pillai, Sonia Meng, Eshan Mahimkar, and Vihaan Dhanapalaksha
REPERTOIRE: TRIP-tych
MUSICAL SELECTIONS INCLUDE: "We Overcome the Wind" by Christopher Tin; "SHEHERAZADE" by Rimsky-Korsakov; "Kajra Re" by Shankar; "Wayfaring Stranger" by Parton; and "A Rock Somewhere" by Jacob Collier
3:45 PM – Collinsville H.S., OK
Collinsville H.S., OK
Collinsville, OK
DIRECTOR: Nicholas Chavez
DRUM MAJORS: Evelyn Clark* and Summer Holland*
REPERTOIRE: The Gold Rush
MUSICAL SELECTIONS INCLUDE: "Gates of Gold" by Joseph Curiale and "Dance Movements" by Philip Sparke

*Drum Major attended the 2025 Bands of America Summer Camp

4:00 PM – Hebron H.S., TX
Hebron H.S., TX
Carrollton, TX
DIRECTOR: Andy Sealy
DRUM MAJORS: Kira Vorhaben, Rubyna Jooma, Thomas Du Fief, Nigel Gudgeon, and Ursula Ho
REPERTOIRE: Field Trip
MUSICAL SELECTIONS INCLUDE: "Magical Mystery Tour" by Paul McCartney and John Lennon; "Atlantis-The Lost Empire" by James Newton Howard; "Sonoran Desert Holiday" by Ron Nelson; "Collide" by Jacob Remington; and "Fuse" by Nick Omiccioli
Venue Info

Venue Info

Pennington Field
1501 Central Dr, Bedford, TX 76022

Bag Policy
View Pennington Field General Information and Bag Policy

Spectator Parking

  • Parking is available on the east side of the stadium at no charge

Cashless Venues

We recommend planning ahead and bringing both cash and card to Bands of America events. All Bands of America ticket booths are cashless, with digital ticketing options only. Many stadiums operate cashless concessions. PepWear merchandise booths accept both cash and card.

Adjudicators

Adjudicators

Music Panel
Darrin Davis – Broken Arrow, OK
Andrew Poor – Suwanee, GA
Tim Yontz – Fort Myers, FL
Kyle Young – Carmel, IN

Visual Panel
Chris Church – Willard, MO
Carl Nelson – Corona, CA
Damon Padilla – Atlanta, GA

Chief Judge
Nola Jones – Nashville, TN

Host

Thank you to today’s host groups!

L.D. Bell High School
Trinity High School

FAQ

Frequently Asked Questions

Digital Ticketing

Bands of America ticketing is all digital. Tickets cannot be purchased with cash, only with credit and debit cards.

We strongly encourage spectators to purchase their tickets online in advance before arriving at the stadium.

Camera Policy and Video Recording

Only still photography is allowed, and only from general admission seats. Still photography is not allowed at field level.

Tripods, bipods, and monopods should not be used and the viewing experience of other spectators may not be disrupted.

Video and audio recording of any kind is not allowed, no exceptions.

Credentials – Band Field Passes
  • Each competing band is given 31 credentials with the option to purchase up to 10 additional credentials. Bands are given the exact number of bus driver wristbands as they request vehicle passes. Up to 2 medical passes for nurses can be requested by the band director. There are NO videographer passes.
  • A pass or a ticket is required to get into the stadium as a spectator.
  • Bands of American events are mobile entry and can be purchased in advance.
The Audience Has an Important Role to Play!

The audience and performance environment is a key piece of the Bands of America experience. Parents and fans have their own role to perform, which they undertake with enthusiasm. The atmosphere of good sportsmanship, mutual support, and appreciation for all of the performers on the field creates a positively life-changing experience for the students, as well as the parents and supporters. Meeting and engaging with parents and fans from other programs creates opportunities for networking and provides an extended voice in support of music education.

Bands of America and Music for All emphasizes the pursuit of performance excellence and the educational experience of participation. The commentary offered by the Bands of America judges provides educators and students with comments and meaningful assessment – much more than simply selecting a winner or placement. The commentary provides information on how directors and students are doing and what they need to do to improve. Each judge has a slightly different responsibility in this, but all point to the same mission: to create, provide, and expand positively life-changing experiences. Your applause, your encouragement, and your standing ovations will make this an unforgettable experience for the thousands of young people performing today.

THE VALUE OF COMPETITION
Competition is woven into the very fabric of America and has helped to foster the development of the strongest nation on Earth. Bands of America and Music for All believe that competing is a great motivator and provides amazing opportunities for learning life lessons. The essence of competition is in the striving for performance excellence and being held accountable for learning. If the focus is on the learning, the competitive climate will be a source extremely valuable in life. On the other hand, the negativity associated with “winning at all costs” will be a detriment to personal growth. Winning is certainly a monumental benchmark, as is any measurement in the competitive arena. Performing your very best in competition is also a benchmark, as is competing with the very best programs. By choosing to participate in competition, individuals and groups have already “won” simply by being highly motivated.

The competitive arena provides a very precious opportunity to practice quality sportsmanship and sincere appreciation for the hard work of others. It also is the place where the very best models in our activity can be displayed and celebrated. All performers need models to demonstrate possibility at the highest levels of performance and artistry. Bands of America encourages all participants to stay for Finals, show appreciation for those models, and for finalists to “break ranks” in order to congratulate each other for their successes. As all programs continue to improve through motivation, the competition strengthens everyone, pushing us beyond what we believed to be our potential. Each and every band performance is a gift to us all and must be treasured. First place is fleeting, but the learning associated with the striving for excellence, the cooperative work ethic, and the appreciation of others is everlasting. Bands of America encourages participants, parents, and friends to celebrate the high value of the competitive environment for its lessons and to become immersed in “positively life-changing experiences.”

— From the Bands of America Official Procedures and Adjudication Handbook

Be a Good Audience Member

Music is designed for all the senses. For everyone to fully enjoy the performances, we ask that you please adhere to the following. Your cooperation is greatly appreciated.

  • Please turn off or silence all cell phones, pagers, watches, and other personal electronic devices.
  • Do not leave or return to your seat during performances.
  • Keep all aisles clear. Please do not enter or exit the seating area or move within the seating area during performances. Respect the performers and your fellow spectators.
  • Please do not carry on conversations during performances or talk in a manner that disturbs your neighbors.
  • No smoking in the stadium.
  • Anyone exhibiting inappropriate behavior that disturbs the performances or the enjoyment of those around them may be asked to leave the stadium at the discretion of the contest director.
How is classification determined?

Bands of America has a four-class system (A-AAAA). Bands are assigned to classes based on enrollment levels in grades 10-12 as verified by each school's administration.

How is performance order determined?

Preliminary performance times are scheduled based on a random draw. Applications received and paid for on or before January 31, 2025, were eligible for the initial draw, after which performance times are based on postmark of application, with earlier postmarks receiving the later performance times. The previous year’s Regional Champion has the option to choose its Prelims performance time. Finals performances are scheduled by a random draw on site.

Who can enroll?

Enrollment is open to all high school bands on a first-come, first-served basis.

"What are the judges looking for?"

Bands receive recorded evaluation from each judge. The emphasis is on the input the judge offers to the band’s program. It is the position of Bands of America that music is the more important aspect of the performance, with marching as the presentation and visual enhancement of the program. Likewise, greater emphasis is placed on general effect than on fine-line perfection of the performance.

The weight of the numbers places 60% of the value on music and 40% on visual, as well as 60% on general effect and 40% on performance. Each judge is assigned a specific area on which they focus: ensemble and general effect judges are located at a vantage point from above (e.g., press box), and individual performance judges are located on the field. You can download the adjudication handbook from marching.musicforall.org for more information.

Why aren’t classifications announced?

By nature, appreciation of arts requires subjective reactions. We do not announce or publish band classifications, before or during events. Our intention is to not draw attention to classification, so as to eliminate expectations of a band’s performance based on class, including those of the judges.

How are finalist bands selected?

RegionalsThe top 12 scoring bands, regardless of class, are invited to compete in the evening’s Regional Finals.

Super RegionalsSuper Regional Championships accept 14 bands into Finals. The 14 bands are chosen according to the following procedure: the five highest scoring bands in each of the two Prelims judging panels, regardless of class, plus the next four highest scoring bands from both of the two Prelims, regardless of class, will advance to Finals. If a Class Champion is not among the highest scoring bands advancing to Finals, they will be invited to perform at Finals in exhibition.

Participating Band Dinner Break and Picnic Area
  • The stadium will be cleared after Prelims Awards and reopened for Finals. Concessions will be closed during the dinner break between Prelims and Finals.
  • Any feeding of band students must be in the designated Picnic Area. Please see the director Final Packet documents for this show for information and location of designated Picnic Area.