Dallas Mid-Cities Regional

September 26, 2026 • Pennington Field • Bedford, TX

Schedule & Bands
Event Schedule

See prelims performance times in the section below the event schedule.

6:45 AM – Box Office Opens
7:15 AM – Stadium Gates Open for Prelims
7:48 AM – Preliminary Competition Begins
10:12 AM – BREAK
10:36 AM – Preliminary Competition Resumes
12:48 PM – Preliminary Competition Ends
1:00 PM – PRESENTATION OF AWARDS – Prelims Competition
1:30 PM – Finalist Directors Meeting | Stadium Cleared

6:30 PM – Gates Open for Finals
7:00 PM – National Anthem | Special On-Field Welcome
7:15 PM — Class AA Exhibition: Grapevine H.S., TX
7:30 PM — Waxahachie H.S., TX
7:45 PM — Wakeland H.S., TX
8:00 PM — Keller H.S., TX
8:15 PM — Timber Creek H.S., TX
8:30 PM — Southlake Carroll H.S., TX
8:45 PM — McKinney H.S., TX
9:00 PM — L.D. Bell H.S., TX
9:15 PM — Prosper H.S., TX
9:30 PM — Coppell H.S., TX
9:45 PM — Flower Mound H.S., TX
10:00 PM — Forney H.S., TX
10:15 PM — Round Rock H.S.-Legacy, TX
10:30 PM — Class A Exhibition: Krum H.S., TX
10:45 PM – FINALE – PRESENTATION OF AWARDS – Finals Competition

Participating Bands

Information last updated September 27, 2026. All times shown are Central time.

7:48 AM – James Martin H.S., TX
James Martin H.S., TX
Arlington, TX
DIRECTOR: Babatunde Onibudo
DRUM MAJORS: Noah Roach, Cambree Monroe, Samantha Young, and Perry Middleton
REPERTOIRE: Chain Reaction
MUSICAL SELECTIONS INCLUDE: "It's the End of the World as We Know It" by REM; "War Dance from Belkis Queen of Sheba" by Respighi; and "Symphony No. 10 Mvt. 2" by Shostakovich
8:00 AM – Duncanville H.S., TX
Duncanville H.S., TX
Duncanville, TX
DIRECTOR: Paula Tagalos and Savanna Hutcherson
DRUM MAJORS: Gabriel Torres, Ayden Chavez, Eme Arana, Jairo Chacon, and April Hou
REPERTOIRE: Urban Lights
MUSICAL SELECTIONS INCLUDE: "Contact: 1. The Call" by Kevin Puts; "Reflections" by Caroline Eych, Eversines; and "Moonmoons" by Anna Meredith
8:12 AM – Argyle H.S., TX
Argyle H.S., TX
Argyle, TX
DIRECTOR: Jason Bird
DRUM MAJORS: Jacob Bird, Alivia Michaels, Langley Shank, and Gabriella Womack
REPERTOIRE: Theia's Light
MUSICAL SELECTIONS INCLUDE: "Aurora Awakes" by John Mackey; "The Light" by Philip Glass; "Lux Aeterna" by Edward Elgar; and "Run to the Light" by Ivan Trevino
8:24 AM – L.D. Bell H.S., TX
L.D. Bell H.S., TX
Hurst, TX
DIRECTOR: Suzanne Dell
DRUM MAJORS: Makenna Baggett, Lawson Deck, Karma Kamel, and Shelby Saunders
REPERTOIRE: Nothing Gold Can Stay
MUSICAL SELECTIONS INCLUDE: "Concerto for Orchestra" by Bela Bartok; "Dance Movements, movements 2 and 4" by Philip Sparke; and "Both Sides Now" by Joni Mitchell
8:36 AM – Coppell H.S., TX
Coppell H.S., TX
Coppell, TX
DIRECTOR: Kim Shuttlesworth
DRUM MAJORS: Eshan Mahimkar, Vihaan Dhanapalaksha, Logan Brown, Amy Chi, and Tanish Shrimali
REPERTOIRE: Silhouettes of Solitude
MUSICAL SELECTIONS INCLUDE: "Piano Concerto No. 2" by Sergei Rachmaninoff; "All By Myself" Eric Carmen; "Don't Stand So Close to Me" by Gordon Sumner; and "One" by Harry Nilsson
8:48 AM – Burleson Centennial H.S., TX
Burleson Centennial H.S., TX
Burleson, TX
DIRECTOR: Brent Smith
DRUM MAJORS: Luke Boterf, Susan Correa Soriano, and Victoria Velasquez
REPERTOIRE: Bloom
MUSICAL SELECTIONS INCLUDE: "Loom" by Olafur Arnaulds; "Rhapsody in Blue" by George Gershwin; "Palladio" by Karl Jenkins; "Ave Maria" by Franz Biebl; "Callion" by Anna Meredith; and "Can't Take My Eyes Off of You" by Bob Crewe & Bob Gaudio
9:00 AM – Round Rock H.S., TX Horizon
Round Rock H.S., TX Horizon
Round Rock, TX
DIRECTOR: David Mobley
DRUM MAJORS: Avery Chong and Caton Bao
REPERTOIRE: Blood Moon Visions
MUSICAL SELECTIONS INCLUDE: "Requiem" by Verdi; "Lacrimosa" by Mozart; "Sleeping Beauty" by Tchaikovsky; and "All this Shall be Yours" by Stephen Melillo
9:12 AM – Prosper H.S., TX
Prosper H.S., TX
Prosper, TX
DIRECTOR: Rylon Guidry
DRUM MAJORS: Leonardo Lujan-Rocha, Abigail Brad, Kortney Villanueva, and Clark Guilford
REPERTOIRE: The Expedition
MUSICAL SELECTIONS INCLUDE: "To the Summit" by Robert W Smith; "Star of Dreams" by Robert W Smith; and "Into the Storm" by Robert W Smith
9:24 AM – Krum H.S., TX
Krum H.S., TX
Krum, TX
DIRECTOR: Brandon Huff
DRUM MAJORS: Riley Tripp and Yanelin Zepeda
REPERTOIRE: Aurora
MUSICAL SELECTIONS INCLUDE: "Twelve Seconds to the Moon" by Robert W. Smith; "Empire of Angels" by Thomas Bergerson; "The New Moon in the Old Moon's Arms" by Michael Kamen; and "Two Girls with Sparklers" by Harry Gregson-Willims
9:36 AM – Midlothian H.S., TX
Midlothian H.S., TX
Midlothian, TX
DIRECTOR: Larry Doran
DRUM MAJORS: Carson Burrow, Josiah Jones, Markie Baltierra, and Bianca Ponce
REPERTOIRE: Entangled
MUSICAL SELECTIONS INCLUDE: "Symphony No. 1" by Dmitri Shostakovitch and "Toxic" by Britney Spears
9:48 AM – Keller H.S., TX
Keller H.S., TX
Keller, TX
DIRECTOR: Daniel Bloss
DRUM MAJORS: Joseph Abdallah, Mallory Canas, Austin Davis, and Claire Turko
REPERTOIRE: Oh, What a Web!
MUSICAL SELECTIONS INCLUDE: "Ave Generosa" by Ola Gjeilo; "Le Festin De l'Araignée" by Albert Roussel; "Itsy Bitsy Spider" by Traditional; "Symphony No. 1 - The Lord of the Rings, Mvt. III. Gollum" by Johan De Meij; and Original Music by Carol Brittin Chambers
10:00 AM – Timber Creek H.S., TX
Timber Creek H.S., TX
Fort Worth, TX
DIRECTOR: Brad McCann
DRUM MAJORS: Katherine McGovern, Eddie Weber, Marlee Green, Deborah Fleitas, and Lily Duffey
REPERTOIRE: LineaRossa
MUSICAL SELECTIONS INCLUDE: "String Theories" by Jordan Gagne; "String Concerto No. 4" by Bela Bartok; Sonata in Darkness from "The Batman" by Michael Giacchino; More Cowbell from "Popcopy" by Scott McAllister; and Original Music by Ryan George and Colin McNutt
10:36 AM – Round Rock H.S., TX Legacy
Round Rock H.S., TX Legacy
Round Rock, TX
DIRECTOR: David Mobley
DRUM MAJORS: Chelsea Hartle, Tristan Collins, and Shaista Sabu
REPERTOIRE: Sprialing
MUSICAL SELECTIONS INCLUDE: "Flute Concerto" by Christopher Rouse; "Gabriel's Oboe" by Ennio Morricone; "Forty Six and Two" by Tool; and "Symphony No. 2" by Christopher Rouse
10:48 AM – Waxahachie H.S., TX
Waxahachie H.S., TX
Waxahachie, TX
DIRECTOR: Justin Bell
DRUM MAJORS: Kendrick Wallace, Kenny Benson, Brianna Christian, and Stephanie Picena
REPERTOIRE: Get to the Point
MUSICAL SELECTIONS INCLUDE: "Twisted Mind" by Edouard Ferlet; "An American Symphony" by Adam Schoenberg; "The Point of Return" by Tyler Duncan; "Duende" by Luis Alarcon; and "Concerto for Orchestra" by Bela Bartok
11:00 AM – McKinney H.S., TX
McKinney H.S., TX
McKinney, TX
DIRECTOR: Brandon Fisher
DRUM MAJORS: Bryce Stevens, Jackson Hare, Dantes Talley, PJ Sawyer, and Grace Ellis
REPERTOIRE: Checkered
MUSICAL SELECTIONS INCLUDE: "Separate Ways (Worlds Apart)" by Jonathan Cain and Stephen Ray Perry; "Hovercraft" by Joby Talbot; "Einstein on the Beach" by Philip Glass; "Wicked Game" by Chris Isaak; "Run Boy Run" by Ambroise Willaume and Yoann Lemoine (Woodkid); and "Enigma Variations" by Sir Edward Elgar
11:12 AM – Southlake Carroll H.S., TX
Southlake Carroll H.S., TX
Southlake, TX
DIRECTOR: Ken Johnson
DRUM MAJORS: Jackson Henderson, Jessie Echeazu, Abhi Kankanala, and Marin Kemper
REPERTOIRE: Neon Noir
MUSICAL SELECTIONS INCLUDE: "Triple Trey - How Much a Dollar Cost" by James Faunteleroy; "Bird and Bela In B-Flat" by Don Sebesky; and "It's All Nothing Until It's Everything" by Louis Cole and Geneveive Artadi
11:24 AM – Wakeland H.S., TX
Wakeland H.S., TX
Frisco, TX
DIRECTOR: Amanda Mariño Stevenson
DRUM MAJORS: Abby Belknap, Sabeen Jamali, Nakila Venkatiahgari, and Emmeline Ward
REPERTOIRE: Sacred Spaces
MUSICAL SELECTIONS INCLUDE: "Amen!" by Carlos Simon; "Losing My Religion" by R.E.M.; "Stained Glass" by Andrew Markworth; and "Elsa's Procession to the Cathedral" by Richard Wagner
11:36 AM – Trinity H.S., TX
Trinity H.S., TX
Euless, TX
DIRECTOR: Chris Kanicki
DRUM MAJORS: Gamer Bakri, Skye Griffin, Raphael Lefebvre, and Natali Byrd
REPERTOIRE: The Calm Before...
MUSICAL SELECTIONS INCLUDE: "November Rain" by Guns N' Roses; "Liquid" by Jay Bocook; and "Symphony No. 1 in One Movement" by Samuel Barber
11:48 AM – Central H.S., TX
Central H.S., TX
San Angelo, TX
DIRECTOR: Daniel Villanueva
DRUM MAJORS: Sunnie Gatica, Ian Caraballo, Sophia Underhill, and Jake Ochoa
REPERTOIRE: Echoes of Winter
MUSICAL SELECTIONS INCLUDE: "Night On Bald Mountain" by Modest Mussorgsky; "Polvetsian Dances" by Alexander Borodin; "The Next Right Thing" by Kristen Anderson Lopez, Robert Lopez; and "Codex" by Radiohead
12:00 PM – Grapevine H.S., TX
Grapevine H.S., TX
Grapevine, TX
DIRECTOR: Ryan Andre
DRUM MAJORS: Addison Bell, Alex Marling, and Luseane Siale
REPERTOIRE: Luminescence
MUSICAL SELECTIONS INCLUDE: "Aquarium" by Camille Saint-Saens; "Captain Nemo's Theme" by Paul Smith; "Infinite Ocean" by Oliver Davis; "Theme from The Abyss" Alan Silvestri; "Lost in Paradise" by Evanescence; and Original Music by Andrew Markworth
12:12 PM – Wylie East H.S., TX
Wylie East H.S., TX
Wylie, TX
DIRECTOR: Holly Taylor
DRUM MAJORS: Ryland Emard, Ryan Porter, Knox Ray, Gavin Alsop, and Alex Brownlee
REPERTOIRE: Weight For It
MUSICAL SELECTIONS INCLUDE: "Dark Clouds" by Christopher Tin; "The Sound of Silence" by Paul Simon; "Defying Gravity" by Stephen Lawrence Schwartz; "Renewal" by Viet Cuong; and "For Good Suite" by Stephen Lawrence Schwartz
12:24 PM – Forney H.S., TX
Forney H.S., TX
Forney, TX
DIRECTOR: Cody Newman
DRUM MAJORS: Dom Yambao, Gracie Stephens, Sophia Winn, Ethan Hernandez, and Mikayla Angala
REPERTOIRE: On the Shoulders of Giants
MUSICAL SELECTIONS INCLUDE: "5th Symphony" by Beethoven; "Requiem" by Mozart; "Barber of Seville" by Rossini; "Little Fugue" by Bach; "Fur Elise" by Beethoven; "8th Symphony" by Bruckner; "Diabolic Variations" by Helble; and "On the Shoulders of Giants" by Peter Graham
12:36 PM – Flower Mound H.S., TX
Flower Mound H.S., TX
Flower Mound, TX
DIRECTOR: Brent Biskup
DRUM MAJORS: Irene Park, Abbey Allspach, Laura Koga, Paige Cooper, and Charlotte McIntosh
REPERTOIRE: A Prelude to the Scream - a prequel to the famous painting by Edvard Munch
MUSICAL SELECTIONS INCLUDE: "Cirche" by Chang-Su Koh
Venue Info

Venue Info

Pennington Field
1501 Central Dr, Bedford, TX 76022

Bag Policy
View Pennington Field General Information and Bag Policy

Spectator Parking

  • Parking is available on the northeast side of the stadium at no charge

Cashless Venues

We recommend planning ahead and bringing both cash and card to Bands of America events. All Bands of America ticket booths are cashless, with digital ticketing options only. Many stadiums operate cashless concessions. PepWear merchandise booths accept both cash and card.

Adjudicators

Adjudicators

Music Panel
Evan Hinds – O’Fallon, IL
Larry Shane – Wellington, FL
Aaron Vogel – Phoenix, AZ
Jay Webb – Avon, IN

Visual Panel
Ryan Demkovich – Houston, TX
Warren Rickart – Washington, DC
Bo Sodders – Marietta, GA

Chief Judge
John Phillips – Indianapolis, IN

FAQ

Frequently Asked Questions

Digital Ticketing

Bands of America ticketing is all digital. Tickets cannot be purchased with cash, only with credit and debit cards.

We strongly encourage spectators to purchase their tickets online in advance before arriving at the stadium.

Camera Policy and Video Recording

Only still photography is allowed, and only from general admission seats. Still photography is not allowed at field level.

Tripods, bipods, and monopods should not be used and the viewing experience of other spectators may not be disrupted.

Video and audio recording of any kind is not allowed, no exceptions.

Credentials – Band Field Passes
  • Each competing band is given 31 credentials with the option to purchase up to 10 additional credentials. Bands are given the exact number of bus driver wristbands as they request vehicle passes. Up to 2 medical passes for nurses can be requested by the band director. There are NO videographer passes.
  • A pass or a ticket is required to get into the stadium as a spectator.
  • Bands of American events are mobile entry and can be purchased in advance.
The Audience Has an Important Role to Play!

The audience and performance environment is a key piece of the Bands of America experience. Parents and fans have their own role to perform, which they undertake with enthusiasm. The atmosphere of good sportsmanship, mutual support, and appreciation for all of the performers on the field creates a positively life-changing experience for the students, as well as the parents and supporters. Meeting and engaging with parents and fans from other programs creates opportunities for networking and provides an extended voice in support of music education.

Bands of America and Music for All emphasizes the pursuit of performance excellence and the educational experience of participation. The commentary offered by the Bands of America judges provides educators and students with comments and meaningful assessment – much more than simply selecting a winner or placement. The commentary provides information on how directors and students are doing and what they need to do to improve. Each judge has a slightly different responsibility in this, but all point to the same mission: to create, provide, and expand positively life-changing experiences. Your applause, your encouragement, and your standing ovations will make this an unforgettable experience for the thousands of young people performing today.

THE VALUE OF COMPETITION
Competition is woven into the very fabric of America and has helped to foster the development of the strongest nation on Earth. Bands of America and Music for All believe that competing is a great motivator and provides amazing opportunities for learning life lessons. The essence of competition is in the striving for performance excellence and being held accountable for learning. If the focus is on the learning, the competitive climate will be a source extremely valuable in life. On the other hand, the negativity associated with “winning at all costs” will be a detriment to personal growth. Winning is certainly a monumental benchmark, as is any measurement in the competitive arena. Performing your very best in competition is also a benchmark, as is competing with the very best programs. By choosing to participate in competition, individuals and groups have already “won” simply by being highly motivated.

The competitive arena provides a very precious opportunity to practice quality sportsmanship and sincere appreciation for the hard work of others. It also is the place where the very best models in our activity can be displayed and celebrated. All performers need models to demonstrate possibility at the highest levels of performance and artistry. Bands of America encourages all participants to stay for Finals, show appreciation for those models, and for finalists to “break ranks” in order to congratulate each other for their successes. As all programs continue to improve through motivation, the competition strengthens everyone, pushing us beyond what we believed to be our potential. Each and every band performance is a gift to us all and must be treasured. First place is fleeting, but the learning associated with the striving for excellence, the cooperative work ethic, and the appreciation of others is everlasting. Bands of America encourages participants, parents, and friends to celebrate the high value of the competitive environment for its lessons and to become immersed in “positively life-changing experiences.”

— From the Bands of America Official Procedures and Adjudication Handbook

Be a Good Audience Member

Music is designed for all the senses. For everyone to fully enjoy the performances, we ask that you please adhere to the following. Your cooperation is greatly appreciated.

  • Please turn off or silence all cell phones, pagers, watches, and other personal electronic devices.
  • Do not leave or return to your seat during performances.
  • Keep all aisles clear. Please do not enter or exit the seating area or move within the seating area during performances. Respect the performers and your fellow spectators.
  • Please do not carry on conversations during performances or talk in a manner that disturbs your neighbors.
  • No smoking in the stadium.
  • Anyone exhibiting inappropriate behavior that disturbs the performances or the enjoyment of those around them may be asked to leave the stadium at the discretion of the contest director.
How is classification determined?

Bands of America has a four-class system (A-AAAA). Bands are assigned to classes based on enrollment levels in grades 10-12 as verified by each school's administration.

How is performance order determined?

Preliminary performance times are scheduled based on a random draw. Applications received and paid for on or before January 31, 2025, were eligible for the initial draw, after which performance times are based on postmark of application, with earlier postmarks receiving the later performance times. The previous year’s Regional Champion has the option to choose its Prelims performance time. Finals performances are scheduled by a random draw on site.

Who can enroll?

Enrollment is open to all high school bands on a first-come, first-served basis.

"What are the judges looking for?"

Bands receive recorded evaluation from each judge. The emphasis is on the input the judge offers to the band’s program. It is the position of Bands of America that music is the more important aspect of the performance, with marching as the presentation and visual enhancement of the program. Likewise, greater emphasis is placed on general effect than on fine-line perfection of the performance.

The weight of the numbers places 60% of the value on music and 40% on visual, as well as 60% on general effect and 40% on performance. Each judge is assigned a specific area on which they focus: ensemble and general effect judges are located at a vantage point from above (e.g., press box), and individual performance judges are located on the field. You can download the adjudication handbook from marching.musicforall.org for more information.

Why aren’t classifications announced?

By nature, appreciation of arts requires subjective reactions. We do not announce or publish band classifications, before or during events. Our intention is to not draw attention to classification, so as to eliminate expectations of a band’s performance based on class, including those of the judges.

How are finalist bands selected?

RegionalsThe top 12 scoring bands, regardless of class, are invited to compete in the evening’s Regional Finals.

Super RegionalsSuper Regional Championships accept 14 bands into Finals. The 14 bands are chosen according to the following procedure: the five highest scoring bands in each of the two Prelims judging panels, regardless of class, plus the next four highest scoring bands from both of the two Prelims, regardless of class, will advance to Finals. If a Class Champion is not among the highest scoring bands advancing to Finals, they will be invited to perform at Finals in exhibition.

Participating Band Dinner Break and Picnic Area
  • The stadium will be cleared after Prelims Awards and reopened for Finals. Concessions will be closed during the dinner break between Prelims and Finals.
  • Any feeding of band students must be in the designated Picnic Area. Please see the director Final Packet documents for this show for information and location of designated Picnic Area.