November 12-14, 2026 • Lucas Oil Stadium • Indianapolis, IN
Bands of America ticketing is all digital. Tickets cannot be purchased with cash, only with credit and debit cards.
We strongly encourage spectators to purchase their tickets online in advance before arriving at the stadium.
Only still photography is allowed, and only from general admission seats. Still photography is not allowed at field level.
Tripods, bipods, and monopods should not be used and the viewing experience of other spectators may not be disrupted.
Video and audio recording of any kind is not allowed, no exceptions.
The audience and performance environment is a key piece of the Bands of America experience. Parents and fans have their own role to perform, which they undertake with enthusiasm. The atmosphere of good sportsmanship, mutual support, and appreciation for all of the performers on the field creates a positively life-changing experience for the students, as well as the parents and supporters. Meeting and engaging with parents and fans from other programs creates opportunities for networking and provides an extended voice in support of music education.
Bands of America and Music for All emphasizes the pursuit of performance excellence and the educational experience of participation. The commentary offered by the Bands of America judges provides educators and students with comments and meaningful assessment – much more than simply selecting a winner or placement. The commentary provides information on how directors and students are doing and what they need to do to improve. Each judge has a slightly different responsibility in this, but all point to the same mission: to create, provide, and expand positively life-changing experiences. Your applause, your encouragement, and your standing ovations will make this an unforgettable experience for the thousands of young people performing today.
THE VALUE OF COMPETITION
Competition is woven into the very fabric of America and has helped to foster the development of the strongest nation on Earth. Bands of America and Music for All believe that competing is a great motivator and provides amazing opportunities for learning life lessons. The essence of competition is in the striving for performance excellence and being held accountable for learning. If the focus is on the learning, the competitive climate will be a source extremely valuable in life. On the other hand, the negativity associated with “winning at all costs” will be a detriment to personal growth. Winning is certainly a monumental benchmark, as is any measurement in the competitive arena. Performing your very best in competition is also a benchmark, as is competing with the very best programs. By choosing to participate in competition, individuals and groups have already “won” simply by being highly motivated.
The competitive arena provides a very precious opportunity to practice quality sportsmanship and sincere appreciation for the hard work of others. It also is the place where the very best models in our activity can be displayed and celebrated. All performers need models to demonstrate possibility at the highest levels of performance and artistry. Bands of America encourages all participants to stay for Finals, show appreciation for those models, and for finalists to “break ranks” in order to congratulate each other for their successes. As all programs continue to improve through motivation, the competition strengthens everyone, pushing us beyond what we believed to be our potential. Each and every band performance is a gift to us all and must be treasured. First place is fleeting, but the learning associated with the striving for excellence, the cooperative work ethic, and the appreciation of others is everlasting. Bands of America encourages participants, parents, and friends to celebrate the high value of the competitive environment for its lessons and to become immersed in “positively life-changing experiences.”
— From the Bands of America Official Procedures and Adjudication Handbook
Music is designed for all the senses. For everyone to fully enjoy the performances, we ask that you please adhere to the following. Your cooperation is greatly appreciated.
Bands of America has a four-class system (A-AAAA). Bands are assigned to classes based on enrollment levels in grades 10-12 as verified by each school’s administration.
Preliminary performance times are scheduled based on a random draw. Applications received and paid for on or before January 31, 2025, were eligible for the initial draw, after which performance times are based on postmark of application, with earlier postmarks receiving the later performance times. The previous year’s National Champion has the option to choose its Prelims performance time. Semi-Finals and Finals performances are scheduled by a random draw on site.
Enrollment is open to all high school bands on a first-come, first-served basis.
Bands receive recorded evaluation from each judge. The emphasis is on the input the judge offers to the band’s program. It is the position of Bands of America that music is the more important aspect of the performance, with marching as the presentation and visual enhancement of the program. Likewise, greater emphasis is placed on general effect than on fine-line perfection of the performance.
The weight of the numbers places 60% of the value on music and 40% on visual, as well as 60% on general effect and 40% on performance. Each judge is assigned a specific area on which they focus: ensemble and general effect judges are located at a vantage point from above (e.g., press box), and individual performance judges are located on the field. You can download the adjudication handbook from marching.musicforall.org for more information.
By nature, appreciation of arts requires subjective reactions. We do not announce or publish band classifications, before or during events. Our intention is to not draw attention to classification, so as to eliminate expectations of a band’s performance based on class, including those of the judges.
Dr. Trae Blanco serves as Director of University Bands and conductor of the BU Wind Ensemble. This is the band’s first appearance at the Bands of America Grand National Championship, showcasing a long partnership between Butler and Music for All.
Today’s performance is a world premier by Butler University graduate, Evan VanDoren. Evan VanDoren is an in-demand music composer regularly commissioned to create engaging & award-winning music for marching bands and concert ensembles at all skill levels. Evan’s music is regularly performed around the country, including premiere performances at the Texas Music Educators Association Convention and the Midwest Band and Orchestra Clinic. In 2025, Evan was recognized as a National Finalist for The American Prize in Composition for his works, Luminosities & Prophetic Dances.
Evan serves as the brass composer & arranger for the Santa Clara Vanguard Drum and Bugle Corps, based in Santa Clara, California. Additionally, Evan is an active clinician and has presented for Drum Corps International, the Music Educators National Convention, the Texas Bandmasters Association, the Texas Music Educators Association, and Music for All. He regularly consults with music programs nationwide.
Before devoting his life to creating music, Evan was a band director at Cedar Park High School in Cedar Park, Texas. During that time, the band was awarded multiple marching state championships and national recognition. He received a Bachelor’s in Music Education with Honors from Butler University in Indianapolis, Indiana. Currently, he lives in Cedar Park, Texas, with his wife, Katie, daughters Anna & Sara, and their dog, Cooper.
Dr. Trae Blanco
Evan VanDoren
With an enrollment of 400+ members, the Blugold Marching Band is one of the nation’s premiere marching bands representing the University of Wisconsin – Eau Claire. Each fall, the BMB presents a ten-minute field show of popular music and creates an indoor stage show that audiences of all ages can enjoy. Every other winter, the band performs a multi-week International Tour via cruise ship. The band is known for its musical and visual power, high energy, and fan-friendly performances.
The BMB is a representation of approximately 5% of the UWEC student body. While many are pursuing music majors & minors, 70% of the band’s members are primarily studying another subject on campus. BMB members consider the band to be one of the most rewarding experiences they have at UWEC. For incoming freshmen, there is no better way to develop a network of friends and find your home in the university community.
Applications to join the Blugold Marching Band open on March 4, annually. Visit uwec.edu for more information on applying to be a student at the UW-Eau Claire, and blugoldmarchingband.com to apply for the BMB once accepted.
Shortridge H.S.
Joseph Lapka, Band
Spencer Chapman, Band
Stephen Murphy, Orchestra
Peter Sepulveda, Choir
Arsenal Tech H.S.
Josh Goodman, Band
Zayne Cunningham, Band/Orchestra
Suellen Kipp, Choir
Crispus Attucks H.S.
John Hague, Band/Orchestra
Kenneth Ferguson, Choir
George Washington H.S.
Alex Warren, Band/Choir/Orchestra
Chase Hall, Band
Broad Ripple M.S.
Brian Blocker, Band
Tori Condra Hilt, Orchestra
Virgina Scholl, Choir
Arlington M.S.
Zach McCloud, Band/Orchestra
Matt Spencer, Choir
Harshman M.S.
Daniel Dorsett, Band/Orchestra
Markell Pipkins, Choir/Orchestra
Howe M.S.
Chris Abbe, Band/Orchestra
Sydney Morrow, Choir
Longfellow M.S.
Jesse Moore-Broussard, Band
Tyler Baker, Choir/Orchestra
Northwest M.S.
Tedd Biggs, Band
Alyssa Blancho, Orchestra
Jamie Cisneros, Choir
William Penn M.S.
Julia Kim, Band/Orchestra
Traci Prescott, Orchestra/Choir