Orlando Regional

October 18, 2025 • Camping World Stadium • Orlando, FL

Schedule & Bands
Event Schedule

See prelims performance times in the section below the event schedule.

8:15 a.m. – Box Office Opens
8:45 a.m. – Stadium Gates Open

4:15 p.m. – In Exhibition: University of Miami Frost Band of the Hour
4:30 p.m. – Presentation of Awards

FINALS SCHEDULE

6:30 p.m. – Gates Open for Finals
7:00 p.m. – National Anthem and Special On Field Welcome

7:30 PM — University H.S., FL
7:45 PM — River Bluff H.S., SC
8:00 PM — Lakota West H.S., OH
8:15 PM — Oakleaf H.S., FL
8:30 PM — Seminole H.S., FL
8:45 PM — Fleming Island H.S., FL
9:00 PM — Lakota East H.S., OH
9:15 PM — Fishers H.S., IN
9:30 PM — Timber Creek H.S., FL
9:45 PM — Stoneman Douglas H.S., FL
10:00 PM — Tarpon Springs H.S., FL
10:15 PM — Lambert H.S., GA
10:30 PM — Class A Exhibition: Hollister H.S., MO

10:45 p.m. – Finale and Presentation of Awards

Participating Bands

Information last updated October 19, 2025. All times shown are Eastern time.

9:15 AM – Fleming Island H.S., FL
Fleming Island H.S., FL
Fleming Island, FL
DIRECTOR: Alexander Buck
DRUM MAJORS: Elijah Kraus and Sarah Page
REPERTOIRE: Rise
MUSICAL SELECTIONS INCLUDE: "You Will Be Found" by Dear Evan Hanson and "HOPE" by NF
9:30 AM – Sunlake H.S., FL
Sunlake H.S., FL
Land O Lakes, FL
DIRECTOR: Sebastian Perdomo
DRUM MAJORS: Micah Harper and Hannah Trias
REPERTOIRE: Crystal
MUSICAL SELECTIONS INCLUDE: "Clarity" by Zedd; Original Music by Christopher Creswell, Michael Malgoza & Sebastian Perdomo; "Pressure" by Rüfüs Du Sol; "Diamonds" by Rihanna; and "Shiver" by John Summit
9:45 AM – River Bluff H.S., SC
River Bluff H.S., SC
Lexington, SC
DIRECTOR: Kevin D. Hebert
DRUM MAJORS: Jonathan Unumb, Rosalie Jaramillo, Anthony Zou, and Andrew Ettinger
REPERTOIRE: Fantasie
MUSICAL SELECTIONS INCLUDE: "Gymnopedie no 1" by Erik Satie; "Young and Beautiful" by Lana Del Rey; and "Concerto for Orchestra" by Bela Bartok
10:00 AM – Timber Creek H.S., FL
Timber Creek H.S., FL
Orlando, FL
DIRECTOR: Rhett Cox, Devin Hoey, and Jonathan Tirado
DRUM MAJORS: Gabriel Castaneda, Aitana Torres, Isabel Arabia-Maldonado, and Alexander Olivera
REPERTOIRE: alive! dead. zombie...
MUSICAL SELECTIONS INCLUDE: Original Music by Richard Saucedo; "Dido's Lament" by Purcell; and "Lacrimosa from Requiem Mass" by Mozart
10:15 AM – East River H.S., FL
East River H.S., FL
Orlando, FL
DIRECTOR: Scott Friedberg
DRUM MAJORS: Mia Rodriguez, Ava Lavender, Isabella Betemit, and Yulian Calderon Gonzalez
REPERTOIRE: From Creation to Creation
MUSICAL SELECTIONS INCLUDE: "The Rite of Spring" by Igor Stravinsky; "Appalachian Spring" by Aaron Copland; "I Predict A Riot" by Kaiser Chiefs; and "What Was I Made For" by Billie Eilish
10:30 AM – Windermere H.S., FL
Windermere H.S., FL
Windermere, FL
DIRECTOR: Marc Kolodinsky and Katie Rudzik
DRUM MAJORS: Andrew Rockefeller, Anthony Pepe, and Noemi Percoco
REPERTOIRE: Rhapsody in Madness
MUSICAL SELECTIONS INCLUDE: "Bohemian Rhapsody" by Queen; "Madness" by Muse; and "Where is My Mind" by The Pixies
10:45 AM – Seminole H.S., FL
Seminole H.S., FL
Seminole, FL
DIRECTOR: Gerard Madrinan
DRUM MAJORS: Madeline Vinci
REPERTOIRE: Hoist the Colors
MUSICAL SELECTIONS INCLUDE: "Hoist the Colors" by Andrew Markworth
11:00 AM – University H.S., FL
University H.S., FL
Orlando, FL
DIRECTOR: Jon Brown and Jeff Willis
DRUM MAJORS: Jacob de Leon, Ariannah Browder, and Ella Votapka
REPERTOIRE: Air
MUSICAL SELECTIONS INCLUDE: "I Will Go Sailing No More" by Randy Newman; "Enterprising Young Men" by Michael Giacchino; and Original Music by Jon Brown and Jeff Willis
12:15 PM – Fishers H.S., IN
Fishers H.S., IN
Fishers, IN
DIRECTOR: Chad Kohler
DRUM MAJORS: Kylie Steorts*, Carter Smith*, Leighton Vaughn*, Giselle Tran*, and Yuki Tanno*
REPERTOIRE: Grin and Bear it
MUSICAL SELECTIONS INCLUDE: "Beware of Darkness" by George Harrison; "Like a Giant refreshed" by Clif Walker; "Francesca Da Rimini: Symphonic Fantasy After Dante, op. 32" by Tchaikovsky; and "The Pan Piper/Oh Prayer Dr. Jesus" by Gill Evans, Miles Davis

*Drum Major attended the 2025 Bands of America Summer Camp

12:30 PM – Lakota West H.S., OH
Lakota West H.S., OH
West Chester, OH
DIRECTOR: Andrew Carr and Colin Celek
DRUM MAJORS: Mikayla November*, Makaela Monts*, Phoebe Conrad*, and Alex Winter*
REPERTOIRE: Luminares
MUSICAL SELECTIONS INCLUDE: "Messa da Requiem" by Giuseppe Verdi; "Requiem Mass in D minor, K. 626" by Wolfgang Amadeus Mozart and Franz Sussmayer; and "The Nativity Story" by Mychael Dann

*Drum Major attended the 2025 Bands of America Summer Camp

12:45 PM – Lambert H.S., GA
Lambert H.S., GA
Suwanee, GA
DIRECTOR: Kevin Morrison
DRUM MAJORS: Karina Kalicsz, Jack Wang, and Soham Goddam
REPERTOIRE: Santulan
MUSICAL SELECTIONS INCLUDE: Original Composition by Frank Sullivan and Jim Wunderlich; "Meetings Along the Edge" by Ravi Shankar and Philip Glass; "Prayer in Passing" by Anouska Shankar; "Sacred Heart" by Anouska Shankar; and "Dream" by Varijashree Venugopal
1:00 PM – Green Level H.S., NC
Green Level H.S., NC
Cary, NC
DIRECTOR: Brian Myers
DRUM MAJORS: Max Hill, Kevin Zheng, Emily Courteix, and Harini Vijay
REPERTOIRE: A Sense of Direction
MUSICAL SELECTIONS INCLUDE: "Liquid" by Jay Bocook; "Aurora Awakes" by John Mackey; "Where Do We Go Now?" by Gracie Abrams; and "Somewhere Only We Know" by Keane
1:15 PM – Clinton H.S., MS
Clinton H.S., MS
Clinton, MS
DIRECTOR: Gavin McAdams
DRUM MAJORS: Kyla Weathersby, Jordyn Hodges, Brayden McDavid, Dania Robinson, and Kyle Chung
REPERTOIRE: "The Fabric of Us"
MUSICAL SELECTIONS INCLUDE: "Leave the Door Open" by Silk Sonic; "Butterflies" by Thomas Bergersen; and "Coat of Many Colors" by Dolly Parton
1:30 PM – Stoneman Douglas H.S., FL
Stoneman Douglas H.S., FL
Parkland, FL
DIRECTOR: Jeancarlo Napoles and Dean Broadbent
DRUM MAJORS: Maya Ruzicka, Jasmine Amaya, and Jayden Guo
REPERTOIRE: Wispers of Arrakis
MUSICAL SELECTIONS INCLUDE: "Metropolis 1927" by Peter Graham; "View from Olympus: III. Maenads" by John Psathas; "Lisan al Gaib" by Hans Zimmer; "Paul's Dream" by Hans Zimmer; and "Beginnings Are Such Delicate Times" by Hans Zimmer
1:45 PM – Newberry H.S., FL
Newberry H.S., FL
Newberry, FL
DIRECTOR: James DeRemer
DRUM MAJORS: Anna Weitz
REPERTOIRE: Keep on Running
MUSICAL SELECTIONS INCLUDE: "Jason" by The Midnight; "I Ran (So Far Away)" by A Flock of Seagulls; "Runnin' Down a Dream" by Tom Petty and the Heartbreakers; "Running Up That Hill" by Kate Bush; and "Run Boy Run" by Woodkid
2:30 PM – Tarpon Springs H.S., FL
Tarpon Springs H.S., FL
Tarpon Springs, FL
DIRECTOR: Mr. Kevin Ford
DRUM MAJORS: Grace Huettig and Mariana Stelmach
REPERTOIRE: The Void
MUSICAL SELECTIONS INCLUDE: "The Void" by Muse; "Black Hole Sun" by Soundgarden; "Blackstar" by David Bowie; "Cocoon" by Richard Henshall; "Hollow" by Syncato; and "Hysteria" by Muse
2:45 PM – Tocoi Creek H.S., FL
Tocoi Creek H.S., FL
St Augustine, FL
DIRECTOR: Anthony Cananzi
DRUM MAJORS: Olivia Gullion and Lia Rafols Aviles
REPERTOIRE: ICEolation
MUSICAL SELECTIONS INCLUDE: "Ballet Suite No. 4" by Dmitri Shostakovich; "Pyramid Song" by Radio Head; "Equilibrium" by Paul Lovatt-Cooper; and "First Circle" by Pat Metheny
3:00 PM – Hollister H.S., MO
Hollister H.S., MO
Hollister, MO
DIRECTOR: Nathan Spurling
DRUM MAJORS: Chloe Wagner and Sam Hebert
REPERTOIRE: "Legend of Two Wolves"
MUSICAL SELECTIONS INCLUDE: "Vuelie (from Frozen)" by Jean Christophe Beck and Frode Fjellheim; Original Music by Mike McMillan; and "Landslide" by Stevie Nicks
3:15 PM – Lakota East H.S., OH
Lakota East H.S., OH
Liberty Township, OH
DIRECTOR: Rob Tanis and Andrew Desmond
DRUM MAJORS: Irene Antiri*, Savannah Okragly*, Claire Rutherford*, and Sarah Specht*
REPERTOIRE: Chaos in the Court
MUSICAL SELECTIONS INCLUDE: "Thick as a Brick" by Jethro Tull; "Queen of the Night Aria" by W. A. Mozart; "'Galop' from Ballet Suite No. 1" by Dmitri Shostakovich; and "The Great Gig in the Sky" by Pink Floyd

*Drum Major attended the 2025 Bands of America Summer Camp

3:30 PM – William R. Boone H.S., FL
William R. Boone H.S., FL
Orlando, FL
DIRECTOR: Joshua S. Jackson
DRUM MAJORS: Bella McConnell and Christian Asencio
REPERTOIRE: Outside the Lines
MUSICAL SELECTIONS INCLUDE: "Outside the Lines" by Joshua S. Jackson and Jeremy Logan
3:45 PM – West Harrison H.S., MS
West Harrison H.S., MS
Gulfport, MS
DIRECTOR: Eric Fry
DRUM MAJORS: Bailey Fore, Sydney Houag, and Allison Sanchez
REPERTOIRE: Eccentric ANIME-tion
MUSICAL SELECTIONS INCLUDE: Original Music by Tanner Jones; "The Machine Age" by James Horner; "Theme from Princess Mononoke" by Joe Hisaishi; "Merry Go Round Of Life" by Joe Hisaishi; and "Cycle Song" by Imogen Heap
4:00 PM – Oakleaf H.S., FL
Oakleaf H.S., FL
Orange Park, FL
DIRECTOR: Chad Robbins
DRUM MAJORS: Emerson Smiley
REPERTOIRE: Where the Sidewalk Ends
MUSICAL SELECTIONS INCLUDE: "Everybody Wants to Rule the World" by Tears for Fears and "Take Me Home" by Phil Collins
Venue Info

Venue Info

Camping World Stadium
1 Citrus Bowl Place, Orlando, FL 32805

Bag Policy
View Camping World Stadium’s Guidelines

Spectator Parking

  • Parking can be found directly west of the stadium, with access from Tampa Avenue
  • Parking cost: $10 per car or $30 per bus or RV

Cashless Venues
We recommend planning ahead and bringing both cash and card to Bands of America events. All Bands of America ticket booths are cashless, with digital ticketing options only. Many stadiums operate cashless concessions. PepWear merchandise booths accept both cash and card.

Adjudicators

Adjudicators

Music Panel
Andrew Buikema – Rockford, MI
Beth Ann Fabrizio – Fairport, NY
Gerry Miller – Coppell, TX
Marc Whitlock – Livonia, MI

Visual Panel
Lee Carlson – Palm Springs, CA
Ivan De La Cruz – Ft. Worth, TX
Juno Orefice – Wyoming, MI

Chief Judge
John Phillips – Indianapolis, IN

Host

Thank you to today’s host group!

Lake Buena Vista High School Band

FAQ

Frequently Asked Questions

Digital Ticketing

Bands of America ticketing is all digital. Tickets cannot be purchased with cash, only with credit and debit cards.

We strongly encourage spectators to purchase their tickets online in advance before arriving at the stadium.

Camera Policy and Video Recording

Only still photography is allowed, and only from general admission seats. Still photography is not allowed at field level.

Tripods, bipods, and monopods should not be used and the viewing experience of other spectators may not be disrupted.

Video and audio recording of any kind is not allowed, no exceptions.

Credentials – Band Field Passes
  • Each competing band is given 31 credentials with the option to purchase up to 10 additional credentials. Bands are given the exact number of bus driver wristbands as they request vehicle passes. Up to 2 medical passes for nurses can be requested by the band director. There are NO videographer passes.
  • A pass or a ticket is required to get into the stadium as a spectator.
  • Bands of American events are mobile entry and can be purchased in advance.
The Audience Has an Important Role to Play!

The audience and performance environment is a key piece of the Bands of America experience. Parents and fans have their own role to perform, which they undertake with enthusiasm. The atmosphere of good sportsmanship, mutual support, and appreciation for all of the performers on the field creates a positively life-changing experience for the students, as well as the parents and supporters. Meeting and engaging with parents and fans from other programs creates opportunities for networking and provides an extended voice in support of music education.

Bands of America and Music for All emphasizes the pursuit of performance excellence and the educational experience of participation. The commentary offered by the Bands of America judges provides educators and students with comments and meaningful assessment – much more than simply selecting a winner or placement. The commentary provides information on how directors and students are doing and what they need to do to improve. Each judge has a slightly different responsibility in this, but all point to the same mission: to create, provide, and expand positively life-changing experiences. Your applause, your encouragement, and your standing ovations will make this an unforgettable experience for the thousands of young people performing today.

THE VALUE OF COMPETITION
Competition is woven into the very fabric of America and has helped to foster the development of the strongest nation on Earth. Bands of America and Music for All believe that competing is a great motivator and provides amazing opportunities for learning life lessons. The essence of competition is in the striving for performance excellence and being held accountable for learning. If the focus is on the learning, the competitive climate will be a source extremely valuable in life. On the other hand, the negativity associated with “winning at all costs” will be a detriment to personal growth. Winning is certainly a monumental benchmark, as is any measurement in the competitive arena. Performing your very best in competition is also a benchmark, as is competing with the very best programs. By choosing to participate in competition, individuals and groups have already “won” simply by being highly motivated.

The competitive arena provides a very precious opportunity to practice quality sportsmanship and sincere appreciation for the hard work of others. It also is the place where the very best models in our activity can be displayed and celebrated. All performers need models to demonstrate possibility at the highest levels of performance and artistry. Bands of America encourages all participants to stay for Finals, show appreciation for those models, and for finalists to “break ranks” in order to congratulate each other for their successes. As all programs continue to improve through motivation, the competition strengthens everyone, pushing us beyond what we believed to be our potential. Each and every band performance is a gift to us all and must be treasured. First place is fleeting, but the learning associated with the striving for excellence, the cooperative work ethic, and the appreciation of others is everlasting. Bands of America encourages participants, parents, and friends to celebrate the high value of the competitive environment for its lessons and to become immersed in “positively life-changing experiences.”

— From the Bands of America Official Procedures and Adjudication Handbook

Be a Good Audience Member

Music is designed for all the senses. For everyone to fully enjoy the performances, we ask that you please adhere to the following. Your cooperation is greatly appreciated.

  • Please turn off or silence all cell phones, pagers, watches, and other personal electronic devices.
  • Do not leave or return to your seat during performances.
  • Keep all aisles clear. Please do not enter or exit the seating area or move within the seating area during performances. Respect the performers and your fellow spectators.
  • Please do not carry on conversations during performances or talk in a manner that disturbs your neighbors.
  • No smoking in the stadium.
  • Anyone exhibiting inappropriate behavior that disturbs the performances or the enjoyment of those around them may be asked to leave the stadium at the discretion of the contest director.
How is classification determined?

Bands of America has a four-class system (A-AAAA). Bands are assigned to classes based on enrollment levels in grades 10-12 as verified by each school's administration.

How is performance order determined?

Preliminary performance times are scheduled based on a random draw. Applications received and paid for on or before January 31, 2025, were eligible for the initial draw, after which performance times are based on postmark of application, with earlier postmarks receiving the later performance times. The previous year’s Regional Champion has the option to choose its Prelims performance time. Finals performances are scheduled by a random draw on site.

Who can enroll?

Enrollment is open to all high school bands on a first-come, first-served basis.

"What are the judges looking for?"

Bands receive recorded evaluation from each judge. The emphasis is on the input the judge offers to the band’s program. It is the position of Bands of America that music is the more important aspect of the performance, with marching as the presentation and visual enhancement of the program. Likewise, greater emphasis is placed on general effect than on fine-line perfection of the performance.

The weight of the numbers places 60% of the value on music and 40% on visual, as well as 60% on general effect and 40% on performance. Each judge is assigned a specific area on which they focus: ensemble and general effect judges are located at a vantage point from above (e.g., press box), and individual performance judges are located on the field. You can download the adjudication handbook from marching.musicforall.org for more information.

Why aren’t classifications announced?

By nature, appreciation of arts requires subjective reactions. We do not announce or publish band classifications, before or during events. Our intention is to not draw attention to classification, so as to eliminate expectations of a band’s performance based on class, including those of the judges.

How are finalist bands selected?

RegionalsThe top 12 scoring bands, regardless of class, are invited to compete in the evening’s Regional Finals.

Super RegionalsSuper Regional Championships accept 14 bands into Finals. The 14 bands are chosen according to the following procedure: the five highest scoring bands in each of the two Prelims judging panels, regardless of class, plus the next four highest scoring bands from both of the two Prelims, regardless of class, will advance to Finals. If a Class Champion is not among the highest scoring bands advancing to Finals, they will be invited to perform at Finals in exhibition.

Participating Band Dinner Break and Picnic Area
  • The stadium will be cleared after Prelims Awards and reopened for Finals. Concessions will be closed during the dinner break between Prelims and Finals.
  • Any feeding of band students must be in the designated Picnic Area. Please see the director Final Packet documents for this show for information and location of designated Picnic Area.