October 23-24, 2026 • The Dome at America’s Center • St. Louis, MO
*Drum Major attended the 2026 Music for All Summer Camp
*Drum Major attended the 2026 Music for All Summer Camp
*Drum Major attended the 2026 Music for All Summer Camp
*Drum Major attended the 2026 Music for All Summer Camp
*Drum Major attended the 2026 Music for All Summer Camp
*Drum Major attended the 2026 Music for All Summer Camp
*Drum Major attended the 2026 Music for All Summer Camp
*Drum Major attended the 2026 Music for All Summer Camp
*Drum Major attended the 2026 Music for All Summer Camp
*Drum Major attended the 2026 Music for All Summer Camp
We Will Survive draws inspiration from a story deeply ingrained in the local lore of Cape Girardeau, Missouri. In 1941, six years before Roswell, local authorities reportedly summoned Reverend William Huffman to what he was told was an airplane crash outside the city. When he arrived, however, the story says he discovered a mysterious disc-shaped craft and three otherworldly occupants, over whom he was asked to pray. Our show reimagines that legendary encounter with a different outcome: the visitors survive. As they emerge, uncertainty gives way to curiosity and hope as two worlds communicate, connect, and learn to coexist. But in true War of the Worlds fashion, peace does not last. The visitors turn hostile, wonder becomes terror, and humanity is left with one question: Will we survive?
Today, the Razorback Marching Band is excited to perform one of our halftime shows from the 2026 season and play some of our fan-favorite traditional tunes.


(Super) The Dome at America’s Center
701 Convention Plaza St. Louis, MO 63101
Bag Policy
View The Dome’s General Information and Bag Policy
Spectator Parking
Cashless Venues
We recommend planning ahead and bringing both cash and card to Bands of America events. All Bands of America ticket booths are cashless, with digital ticketing options only. Many stadiums operate cashless concessions. PepWear merchandise booths accept both cash and card.
Explore St. Louis!
Our friends at Explore St. Louis have collected a guide of local restaurants, attractions, and things to do while spectators are in town.
Check out this guide to the city, or learn more about the City Museum.
Music Panel
Todd A. Fox – Pittsburgh, PA
Martin Griffin – Toms River, NJ
Jay Kennedy – Chicago, IL
Max Mullinix – The Woodlands, TX
David Orser – Kingston, Ontario, Canada
Chester B. Phillips – Roswell, GA
Jodie Rhodes – Canyon Lake, TX
Katie VanDoren – Austin, TX
Visual Panel
Jackie Gilley – Midwest City, OK
John Leonard – New York, NY
Gregory Llacer – Placitas, NM
Jason Robb – Austin, TX
Mike Stone – West Hills, CA
Travis Wingate – Toronto, Ontario, Canada
Chief Judge
Richard L. Saucedo – Fishers, IN
Assistant Chief Judge
Chris Ferrell – Atlanta, GA
Bands of America ticketing is all digital. Tickets cannot be purchased with cash, only with credit and debit cards.
We strongly encourage spectators to purchase their tickets online in advance before arriving at the stadium.
Only still photography is allowed, and only from general admission seats. Still photography is not allowed at field level.
Tripods, bipods, and monopods should not be used and the viewing experience of other spectators may not be disrupted.
Video and audio recording of any kind is not allowed, no exceptions.
The audience and performance environment is a key piece of the Bands of America experience. Parents and fans have their own role to perform, which they undertake with enthusiasm. The atmosphere of good sportsmanship, mutual support, and appreciation for all of the performers on the field creates a positively life-changing experience for the students, as well as the parents and supporters. Meeting and engaging with parents and fans from other programs creates opportunities for networking and provides an extended voice in support of music education.
Bands of America and Music for All emphasizes the pursuit of performance excellence and the educational experience of participation. The commentary offered by the Bands of America judges provides educators and students with comments and meaningful assessment – much more than simply selecting a winner or placement. The commentary provides information on how directors and students are doing and what they need to do to improve. Each judge has a slightly different responsibility in this, but all point to the same mission: to create, provide, and expand positively life-changing experiences. Your applause, your encouragement, and your standing ovations will make this an unforgettable experience for the thousands of young people performing today.
Music is designed for all the senses. For everyone to fully enjoy the performances, we ask that you please adhere to the following. Your cooperation is greatly appreciated.
Bands of America has a four-class system (A-AAAA). Bands are assigned to classes based on enrollment levels in grades 10-12 as verified by each school's administration.
Preliminary performance times are scheduled based on a random draw. Applications received and paid for on or before January 31, 2025, were eligible for the initial draw, after which performance times are based on postmark of application, with earlier postmarks receiving the later performance times. The previous year’s Regional Champion has the option to choose its Prelims performance time. Finals performances are scheduled by a random draw on site.
Enrollment is open to all high school bands on a first-come, first-served basis.
Bands receive recorded evaluation from each judge. The emphasis is on the input the judge offers to the band’s program. It is the position of Bands of America that music is the more important aspect of the performance, with marching as the presentation and visual enhancement of the program. Likewise, greater emphasis is placed on general effect than on fine-line perfection of the performance.
The weight of the numbers places 60% of the value on music and 40% on visual, as well as 60% on general effect and 40% on performance. Each judge is assigned a specific area on which they focus: ensemble and general effect judges are located at a vantage point from above (e.g., press box), and individual performance judges are located on the field. You can download the adjudication handbook from marching.musicforall.org for more information.
By nature, appreciation of arts requires subjective reactions. We do not announce or publish band classifications, before or during events. Our intention is to not draw attention to classification, so as to eliminate expectations of a band’s performance based on class, including those of the judges.
RegionalsThe top 12 scoring bands, regardless of class, are invited to compete in the evening’s Regional Finals.
Super RegionalsSuper Regional Championships accept 14 bands into Finals. The 14 bands are chosen according to the following procedure: the five highest scoring bands in each of the two Prelims judging panels, regardless of class, plus the next four highest scoring bands from both of the two Prelims, regardless of class, will advance to Finals. If a Class Champion is not among the highest scoring bands advancing to Finals, they will be invited to perform at Finals in exhibition.