West Texas Regional

October 11, 2025 • Astound Broadband Stadium • Midland, TX

Schedule & Bands
Event Schedule

See prelims performance times in the section below the event schedule.

9:30 a.m. – Box Office Opens
10:00 a.m. – Stadium Gates Open

4:30 p.m. – Presentation of Awards

6:30 p.m. – Gates Open for Finals
7:00 p.m. – National Anthem and Special On Field Welcome

7:30 p.m. – First Performing Finalist Band

7:30 PM — Odessa H.S., TX
7:45 PM — Lubbock-Cooper H.S., TX
8:00 PM — Saginaw H.S., TX
8:15 PM — Granbury H.S., TX
8:30 PM — Frenship H.S., TX
8:45 PM — Nimitz H.S., TX
9:00 PM — Trinity H.S., TX
9:15 PM — Midlothian H.S., TX
9:30 PM — Westmoore H.S., OK
9:45 PM — Permian H.S., TX
10:00 PM — Clovis H.S., NM

10:15 PM — Midland H.S., TX

10:30 p.m. – Finals Competition Ends

10:30 PM — Class A Exhibition: Hope H.S., AR
10:45 p.m. – Finale and Presentation of Awards

Participating Bands

Information last updated November 15, 2025. All times shown are Central time.

10:15 AM – Alpine H.S., TX
Alpine H.S., TX
Alpine, TX
DIRECTOR: Chuck Wilson
DRUM MAJORS: Andrea Johnson and Ryanna Pineda
REPERTOIRE: Fire Borne
MUSICAL SELECTIONS INCLUDE: "Firebird" by Stravinsky
10:30 AM – Saginaw H.S., TX
Saginaw H.S., TX
Saginaw, TX
DIRECTOR: Matt Pearson
DRUM MAJORS: Zeke Cisneros, Matthew Chapa, Emily Edwards, and Bisoloa Olusomiro
REPERTOIRE: City Lights of Arabian Nights
MUSICAL SELECTIONS INCLUDE: "Arabian Dance" by Tchaikovsky; "Sheherezade" by Rimsky-Korsakov; "Caravan" by Duke Ellington; and "Never Had a Friend Like Me" by Disney
10:45 AM – Hope H.S., AR
Hope H.S., AR
Hope, AR
DIRECTOR: Christian Davis
DRUM MAJORS: Addison McEuen, Joelys Lopez, and Brianna MacLaughin
REPERTOIRE: Penguin Wonderland
MUSICAL SELECTIONS INCLUDE: "Aquarium" by Camille Saint-Saëns; "Morning Mood" by Edvard Grieg; "Hunting Wabbits 2" by Gordon Goodwin; and "Boogie Wonderland" by Earth, Wind and Fire
11:00 AM – Nimitz H.S., TX
Nimitz H.S., TX
Irving, TX
DIRECTOR: Nathan Ewing
DRUM MAJORS: Jaden Garza, Natasha Hernandez, Eric Oliva, Xavier Rodriguez, and Geobany Torres
REPERTOIRE: Night Fever
MUSICAL SELECTIONS INCLUDE: "A Fifth of Beethoven" by Walter Murphy; "Dancing Queen" by ABBA; "Superstition" by Stevie Wonder; "I Will Survive" by Gloria Gaynor; "Don't Start Now" by Dua Lipa; and "Night Fever" by The Bee Gees
11:15 AM – Del Rio H.S., TX
Del Rio H.S., TX
Del Rio, TX
DIRECTOR: Aldo Christopher Morales
DRUM MAJORS: Angela Fuentez, Alexia Hernandez, and Alexa Altamirano
REPERTOIRE: Unrequited
MUSICAL SELECTIONS INCLUDE: "Rewrite the Stars" by Benj Pasek and Justin Paul; "Medea's Dance of Vengeance" by Samuel Barber; "Gravity" by Sara Bareillies; and "Symphony No. 10" by Dimitri Shostakovich
12:15 PM – Permian H.S., TX
Permian H.S., TX
Odessa, TX
DIRECTOR: Jeff Whitaker and Trey Burns
DRUM MAJORS: Cristian Velasco, Avery Duncan, Baylee Shephard, and Novelyne Clinton
REPERTOIRE: Curiouser & Curiouser
MUSICAL SELECTIONS INCLUDE: "Lincolnshire Posy" by Percy Grainger; "Noisy Wheels of Joy" by Eric Whitacre; "Make Our Garden Grow" by Leonard Bernstein; and "Hummingbird" by Steven Bryant
12:30 PM – Randall H.S., TX
Randall H.S., TX
Amarillo, TX
DIRECTOR: Ginger Denney
DRUM MAJORS: Jordyn Dunlap, Marcus Contreras, and Austin Peterson
REPERTOIRE: Flight Of Wonder
MUSICAL SELECTIONS INCLUDE: "One Day I'll Fly Away" by Joe Sample, Will Jennings; "Arrival of the Birds" by Dominic Peter Smith, Jason Swinscoe; "To Tame the Perilous Skies" by David Holsinger; and "Paradise" by Coldplay
12:45 PM – Pecos H.S., TX
Pecos H.S., TX
Pecos, TX
DIRECTOR: Richard Cole
DRUM MAJORS: Noel Marquez, Caleb Sandoval, and Ana Serrano
REPERTOIRE: The Monarchs Flight
MUSICAL SELECTIONS INCLUDE: "One Day I'll Fly Away" by Will Jennings, Joe Sample; "ButterFly" by Juan Maria Diaz Fernandez, Mia Kristine Makaroff, and Anna-Mari Kahara; "Symphonic Metamorphosis" by Paul Hindemith; "O (Fly On)" by Coldplay; and "Butterflies" by Thomas Bergersen
1:00 PM – Lubbock-Cooper H.S., TX
Lubbock-Cooper H.S., TX
Lubbock, TX
DIRECTOR: JP Gonzales
DRUM MAJORS: Hnah Macabenta, Alyssa Ramirez, and Saleis Ward
REPERTOIRE: No Vacancy
MUSICAL SELECTIONS INCLUDE: "Serendipity" by Mohr; "Rhapsody in Blue" by Gershwin; "Symphony No. 5 in D Minor" by Shostakovich; and "Dies Irae" by Trotta
1:15 PM – Odessa H.S., TX
Odessa H.S., TX
Odessa, TX
DIRECTOR: Sonia Campos
DRUM MAJORS: Annabel Martinez and Aidan Ooppapan
REPERTOIRE: Twisted Fate
MUSICAL SELECTIONS INCLUDE: "Deliver Us (From 'The Prince of Egypt')" by Stephen Schwartz; "Kraken 2 Attack" by Hans Zimmer, Geoffrey Paul Zanelli, Bart K Hendrickson; "Go The Distance (From 'Hercules')" by David Zippel & Alan Menken; "No One Mourns the Wicked" by Stephen Lawrence Schwartz; and "New World Symphony" by Antonin Dvorak
1:30 PM – Legacy H.S., TX
Legacy H.S., TX
Midland, TX
DIRECTOR: Steven Dojahn
DRUM MAJORS: Ilyann Nagues, Johari Ortega, Priya Patel, and Jocelyn Ortega
REPERTOIRE: Suspended Anime
MUSICAL SELECTIONS INCLUDE: "Reprise" by Joe Hisaishi; "Mumbattan Madness" by Daniel Pemberton; "The Sorcerer" by Cory Wong; and "Songo di Volare" by Christopher Tin
1:45 PM – Granbury H.S., TX
Granbury H.S., TX
Granbury, TX
DIRECTOR: Cody Haddock
DRUM MAJORS: Nathan Walters, Braelyn Desormeaux, Emma Farrell, and Anthony Hutton
REPERTOIRE: SOAR
MUSICAL SELECTIONS INCLUDE: "Rocket to the Moon" by Thomas Bergersen; "The Speed of Heat" by Julie Giroux; "Top Gun Anthem" by Harold Faltermeyer; and "Test Drive (From How to Train Your Dragon)" by John Powell
2:30 PM – Midlothian H.S., TX
Midlothian H.S., TX
Midlothian, TX
DIRECTOR: Larry Doran
DRUM MAJORS: Carson Burrow, Josiah Jones, and Markie Baltierra
REPERTOIRE: Neon Underground
MUSICAL SELECTIONS INCLUDE: "Pink Yesterday" by Too Many Zooz; Take the "A" Train by Billy Strayhorn; "Wild Nights" by Frank Ticheli; and "Asphalt Cocktail" by John Mackey
2:45 PM – Midland H.S., TX
Midland H.S., TX
Midland, TX
DIRECTOR: Brian Collins
DRUM MAJORS: Emilio Lopez Moreno, Niema Scales, and Sarah Turlington
REPERTOIRE: War and Peace
MUSICAL SELECTIONS INCLUDE: "Mars, The Bringer of War" by Holst; "1812 Overture" by Tchaikovsky; "Safe and Sound" by Taylor Swift; and "In Springtime When the Kings Go Off to War" by Holsinger
3:00 PM – Trinity H.S., TX
Trinity H.S., TX
Euless, TX
DIRECTOR: Chris Kanicki
DRUM MAJORS: Bryson Rodenburgh, Marissa Harris, Emi Manangan, and Gamer Bakri
REPERTOIRE: Prophecy
MUSICAL SELECTIONS INCLUDE: "Kaval Sviri" by Petar Stefanov Lyondev; "Instinctive Travels" by Michael Markowski; "Wayfaring Stranger" by Christopher Nelson; "Todo Tiende" by Ojos de Brujo; and "Caravan" by Duke Ellington
3:15 PM – Clovis H.S., NM
Clovis H.S., NM
Clovis, NM
DIRECTOR: Daniel Perez
DRUM MAJORS: Heidi Silva, Alyssa Dial, Ivan Martinez, and Coraline Russ
REPERTOIRE: Infinite Horizons
MUSICAL SELECTIONS INCLUDE: "Ghost Train Triptych" by Eric Whitacre; "The Canyon" by Philip Glass; "Into the West" by Annie Lennox; "Walking Funny" by Mark Shaiman; and "Choreography" by Robert Sheldon
3:30 PM – Frenship H.S., TX
Frenship H.S., TX
Wolfforth, TX
DIRECTOR: Scott Carter
DRUM MAJORS: Lily Cantu, Tristan Duran, Ellee Hill, and Zach Lawrence
REPERTOIRE: Broken
MUSICAL SELECTIONS INCLUDE: "Reflection" by Wilder/Zippel; "Love Theme from Romeo & Juliet" by Tchaikovsky; "The Four Sections" by Reich; and "Magic" by Bergersen
3:45 PM – Westmoore H.S., OK
Westmoore H.S., OK
Oklahoma City, OK
DIRECTOR: Ari Taylor
DRUM MAJORS: Ivan Chavez, Ariya Chhim, Logan Coleman, and Ruby Reed
REPERTOIRE: Musical Chairs
MUSICAL SELECTIONS INCLUDE: "Tango" by Oliver Davis; "The Chairman Dances" by John Adams; "Glow" by Eric Whitacre; and "Mr. Magorium's Wonder Emporium (End Credit Suite)" by Aaron Zigman and Alexandre Desplat
4:00 PM – Frenship Memorial H.S., TX
Frenship Memorial H.S., TX
Lubbock, TX
DIRECTOR: Michelle Lessing
DRUM MAJORS: Jasmine Silva and Izaiah Sotelo
REPERTOIRE: Any Way the Wind Blows
MUSICAL SELECTIONS INCLUDE: "Grace" by Arturo Cardelus; "Spiral for Violin, Piano and Strings: Mvt. 1" by Oliver Davis; and Sogno di Volare ("The Dream of Flight") by Christopher Tin
Venue Info

Venue Info

Astound Broadband Stadium
801 N Loop 250 W, Midland, TX 79703

Bag Policy
View Astound Broadband Stadium’s Clear Bag Policy

Spectator Parking

  • Parking can be found directly east of the football stadium, accessible from Loop 250 Frontage Road. Limited overflow parking is available southwest of the stadium (directly west of the ballpark) accessible from Tradewinds Boulevard.
  • NO spectator vehicles are permitted in the parking lots directly west of the football stadium.
  • Spectators parking in primary parking should use the sidewalks running along the south end of the football stadium to cross to Spectator Entrance at Gate 1. Spectators parking in the overflow lot should use the sidewalks running along the north end of the ballpark to reach Spectator Entrance at Gate 1.

Cashless Venues
We recommend planning ahead and bringing both cash and card to Bands of America events. All Bands of America ticket booths are cashless, with digital ticketing options only. Many stadiums operate cashless concessions. PepWear merchandise booths accept both cash and card.

Adjudicators

Adjudicators

Music Panel
Chris Dessent – Fort Wayne, IN
Michael Leitzke – Franklin, TN
Will Pitts – Atlanta, GA
Jay Webb – Avon, IN

Visual Panel
Shirl Chumley – Denver, CO
Chris Moss – Greenville, SC
Danielle Young – Indianapolis, IN

Chief Judge
Christopher Ferrell – Atlanta, GA

Host

Thank you to today’s host group!

Permian High School Band Boosters

FAQ

Frequently Asked Questions

Digital Ticketing

Bands of America ticketing is all digital. Tickets cannot be purchased with cash, only with credit and debit cards.

We strongly encourage spectators to purchase their tickets online in advance before arriving at the stadium.

Camera Policy and Video Recording

Only still photography is allowed, and only from general admission seats. Still photography is not allowed at field level.

Tripods, bipods, and monopods should not be used and the viewing experience of other spectators may not be disrupted.

Video and audio recording of any kind is not allowed, no exceptions.

Credentials – Band Field Passes
  • Each competing band is given 31 credentials with the option to purchase up to 10 additional credentials. Bands are given the exact number of bus driver wristbands as they request vehicle passes. Up to 2 medical passes for nurses can be requested by the band director. There are NO videographer passes.
  • A pass or a ticket is required to get into the stadium as a spectator.
  • Bands of American events are mobile entry and can be purchased in advance.
The Audience Has an Important Role to Play!

The audience and performance environment is a key piece of the Bands of America experience. Parents and fans have their own role to perform, which they undertake with enthusiasm. The atmosphere of good sportsmanship, mutual support, and appreciation for all of the performers on the field creates a positively life-changing experience for the students, as well as the parents and supporters. Meeting and engaging with parents and fans from other programs creates opportunities for networking and provides an extended voice in support of music education.

Bands of America and Music for All emphasizes the pursuit of performance excellence and the educational experience of participation. The commentary offered by the Bands of America judges provides educators and students with comments and meaningful assessment – much more than simply selecting a winner or placement. The commentary provides information on how directors and students are doing and what they need to do to improve. Each judge has a slightly different responsibility in this, but all point to the same mission: to create, provide, and expand positively life-changing experiences. Your applause, your encouragement, and your standing ovations will make this an unforgettable experience for the thousands of young people performing today.

THE VALUE OF COMPETITION
Competition is woven into the very fabric of America and has helped to foster the development of the strongest nation on Earth. Bands of America and Music for All believe that competing is a great motivator and provides amazing opportunities for learning life lessons. The essence of competition is in the striving for performance excellence and being held accountable for learning. If the focus is on the learning, the competitive climate will be a source extremely valuable in life. On the other hand, the negativity associated with “winning at all costs” will be a detriment to personal growth. Winning is certainly a monumental benchmark, as is any measurement in the competitive arena. Performing your very best in competition is also a benchmark, as is competing with the very best programs. By choosing to participate in competition, individuals and groups have already “won” simply by being highly motivated.

The competitive arena provides a very precious opportunity to practice quality sportsmanship and sincere appreciation for the hard work of others. It also is the place where the very best models in our activity can be displayed and celebrated. All performers need models to demonstrate possibility at the highest levels of performance and artistry. Bands of America encourages all participants to stay for Finals, show appreciation for those models, and for finalists to “break ranks” in order to congratulate each other for their successes. As all programs continue to improve through motivation, the competition strengthens everyone, pushing us beyond what we believed to be our potential. Each and every band performance is a gift to us all and must be treasured. First place is fleeting, but the learning associated with the striving for excellence, the cooperative work ethic, and the appreciation of others is everlasting. Bands of America encourages participants, parents, and friends to celebrate the high value of the competitive environment for its lessons and to become immersed in “positively life-changing experiences.”

— From the Bands of America Official Procedures and Adjudication Handbook

Be a Good Audience Member

Music is designed for all the senses. For everyone to fully enjoy the performances, we ask that you please adhere to the following. Your cooperation is greatly appreciated.

  • Please turn off or silence all cell phones, pagers, watches, and other personal electronic devices.
  • Do not leave or return to your seat during performances.
  • Keep all aisles clear. Please do not enter or exit the seating area or move within the seating area during performances. Respect the performers and your fellow spectators.
  • Please do not carry on conversations during performances or talk in a manner that disturbs your neighbors.
  • No smoking in the stadium.
  • Anyone exhibiting inappropriate behavior that disturbs the performances or the enjoyment of those around them may be asked to leave the stadium at the discretion of the contest director.
How is classification determined?

Bands of America has a four-class system (A-AAAA). Bands are assigned to classes based on enrollment levels in grades 10-12 as verified by each school's administration.

How is performance order determined?

Preliminary performance times are scheduled based on a random draw. Applications received and paid for on or before January 31, 2025, were eligible for the initial draw, after which performance times are based on postmark of application, with earlier postmarks receiving the later performance times. The previous year’s Regional Champion has the option to choose its Prelims performance time. Finals performances are scheduled by a random draw on site.

Who can enroll?

Enrollment is open to all high school bands on a first-come, first-served basis.

"What are the judges looking for?"

Bands receive recorded evaluation from each judge. The emphasis is on the input the judge offers to the band’s program. It is the position of Bands of America that music is the more important aspect of the performance, with marching as the presentation and visual enhancement of the program. Likewise, greater emphasis is placed on general effect than on fine-line perfection of the performance.

The weight of the numbers places 60% of the value on music and 40% on visual, as well as 60% on general effect and 40% on performance. Each judge is assigned a specific area on which they focus: ensemble and general effect judges are located at a vantage point from above (e.g., press box), and individual performance judges are located on the field. You can download the adjudication handbook from marching.musicforall.org for more information.

Why aren’t classifications announced?

By nature, appreciation of arts requires subjective reactions. We do not announce or publish band classifications, before or during events. Our intention is to not draw attention to classification, so as to eliminate expectations of a band’s performance based on class, including those of the judges.

How are finalist bands selected?

RegionalsThe top 12 scoring bands, regardless of class, are invited to compete in the evening’s Regional Finals.

Super RegionalsSuper Regional Championships accept 14 bands into Finals. The 14 bands are chosen according to the following procedure: the five highest scoring bands in each of the two Prelims judging panels, regardless of class, plus the next four highest scoring bands from both of the two Prelims, regardless of class, will advance to Finals. If a Class Champion is not among the highest scoring bands advancing to Finals, they will be invited to perform at Finals in exhibition.

Participating Band Dinner Break and Picnic Area
  • The stadium will be cleared after Prelims Awards and reopened for Finals. Concessions will be closed during the dinner break between Prelims and Finals.
  • Any feeding of band students must be in the designated Picnic Area. Please see the director Final Packet documents for this show for information and location of designated Picnic Area.