Memphis Regional

October 11, 2025 • Simmons Bank Liberty Stadium • Memphis, TN

Schedule & Bands
Event Schedule
See prelims performance times in the section below the event schedule.

8:30 a.m. – Box Office Opens
9:00 a.m. – Stadium Gates Open

4:15 p.m. – In Exhibition: University of Memphis Mighty Sound of the South
4:30 p.m. – Presentation of Awards

6:30 p.m. – Gates Open for Finals
7:00 p.m. – National Anthem and Special On Field Welcome

7:30 p.m. – First Performing Finalist Band

7:30 PM — Collierville H.S., TN
7:45 PM — Timberland H.S., MO
8:00 PM — Olive Branch H.S., MS
8:15 PM — Lake Hamilton H.S., AR
8:30 PM — Munford H.S., TN
8:45 PM — Bentonville West H.S., AR
9:00 PM — Cabot H.S., AR
9:15 PM — Arlington H.S., TN
9:30 PM — Mustang H.S., OK
9:45 PM — Bartlett H.S., TN
10:00 PM — DeSoto Central H.S., MS
10:15 PM — Hernando H.S., MS
10:30 p.m. – Finals Competition Ends
10:30 PM — CLASS A EXHIBITION: Cascade H.S., TN
10:45 p.m. – Finale and Presentation of Awards

Participating Bands

Information last updated October 18, 2025. All times shown are Central time.

9:30 AM – Valley View H.S., AR
Valley View H.S., AR
Jonesboro, AR
DIRECTOR: Brandan Bakkala
DRUM MAJORS: Grace Grojean and Jacob Ahn
REPERTOIRE: Out of the Architecture
MUSICAL SELECTIONS INCLUDE: "Adagio in G Minor" by Tomaso Albinoni; "Cape Fear - Main Title" by Bernard Hermann; and "Mikrokosmos: Ostinato" by Bela Bartok
9:45 AM – Conway H.S., AR
Conway H.S., AR
Conway, AR
DIRECTOR: Nathan Cunningham
DRUM MAJORS: PK Sublett, Mithzuri White, and Madalynne Swafford
REPERTOIRE: Futurescape
MUSICAL SELECTIONS INCLUDE: "Liquid" by Jay Bocook; "Distress Signal from Interstellar Suite" by Amin Bhatia; and "City Trees" by Michael Markowski
10:00 AM – Cascade H.S., TN
Cascade H.S., TN
Bell Buckle, TN
DIRECTOR: David Lucich
DRUM MAJORS: Trinity Heath and Kallie Moreland
REPERTOIRE: Come Together
MUSICAL SELECTIONS INCLUDE: "Come Together / Hey Jude" by The Beatles; "Because / Eleanor Rigby" The Beatles; and "Blackbird / Yesterday" by The Beatles
10:15 AM – Arlington H.S., TN
Arlington H.S., TN
Arlington, TN
DIRECTOR: Tim Simpson
DRUM MAJORS: Isabel Cantrell, Todd Littlewood, and Sean Profit
REPERTOIRE: A Symphony Without End
MUSICAL SELECTIONS INCLUDE: "Carmina Burana" by Carl Orff; "Madea's Dance of Vengence" by Samuel Barber; "Barber of Seville" by GioachinovRossini; "Sweeney Todd" by Stephen Sondheim; "Dies Irae" by Giuseppe Verdi; "Symphony no. 9" by Ludwig van Beethoven; "Lacrimosa" by Wolfgang Amadeus Mozart; "Piano Sonata no. 14" by Ludwig van Beethoven; "I Hear a Symphony" by Cody Fry; "Adagio for Strings" by Samuel Barber; "1812 Overture" by Pyotr Ilyich Tchaikovsky; and "William Tell Overture" by Gioachino Rossini
10:30 AM – Greene County Tech H.S., AR
Greene County Tech H.S., AR
Paragould, AR
DIRECTOR: Kim Webb
DRUM MAJORS: Kyleigh Denham, Tessa-Leighann Wilcox, and Steven Cabral-Florentino
REPERTOIRE: The Caterpillar
MUSICAL SELECTIONS INCLUDE: "Hunting Wabbits 2" by Gordon Goodwin's Big Phat Band; "Trentin Quarantino" by Exploding Pig; "Butterflies" by Kacey Musgraves; and "Flying" by Cody Fry
10:45 AM – Bryant H.S., AR
Bryant H.S., AR
Bryant, AR
DIRECTOR: Keith Matthews
DRUM MAJORS: Ela Peret, Riley Gaines, Kennedy Torres, Caroline Duke, and Charlie Denton
REPERTOIRE: Not All There...
MUSICAL SELECTIONS INCLUDE: "Heart Shaped Box" by Nirvana; "AHA!" by Imogen Heap; "Smile" by Charlie Chaplin; and "Satiric Dances Movement 3" by Norman Dello Joio
12:00 PM – Muskogee H.S., OK
Muskogee H.S., OK
Muskogee, OK
DIRECTOR: Mike Sisco
DRUM MAJORS: London Stinson, Gareth McJunkin, and Raegan McKee
REPERTOIRE: Wonka Unwrapped
MUSICAL SELECTIONS INCLUDE: "Oompa Loompa" by Anthony Newley and Leslie Bricusse; "For a Moment" by Neil Hannon; "Pure Imagination" by Anthony Newley and Leslie Bricusse; and "Paris Sketches Mvt. 4" by Martin Ellerby
12:15 PM – Cabot H.S., AR
Cabot H.S., AR
Cabot, AR
DIRECTOR: Rusty Hart
DRUM MAJORS: Zac Rowden and Sasha Kustsinskaya
REPERTOIRE: Daisy Chained
MUSICAL SELECTIONS INCLUDE: "Can You Hear The Music" (from Oppenheimer)" by Ludwig Göransson; "Glow" by Audiomachine; "Méditation de Thaïs" by Jules Massenet; "Grace" by Arturo Cardelus; "Unchained Melody" by Susan Boyle; and "These Moments" by Audiomachine
12:30 PM – Lake Hamilton H.S., AR
Lake Hamilton H.S., AR
Pearcy, AR
DIRECTOR: Jon Shultz
DRUM MAJORS: Mollie Yearington, Audrey Rhodes, Connor Markish, and Soloman Ford
REPERTOIRE: Leonardo - The Visionary
MUSICAL SELECTIONS INCLUDE: "featuring the Music of Otto Schwarz, Robert W. Smith, Wayne Downey, Jeff Ausdemore, and Bryson Teel" by
12:45 PM – Cambridge H.S., GA
Cambridge H.S., GA
Milton, GA
DIRECTOR: Daniel M Scott
DRUM MAJORS: Kaelie Meanor, Sophia Capitani, Bryce Jones, and Drew Woerner
REPERTOIRE: Band: On White
MUSICAL SELECTIONS INCLUDE: "Tank" by Yoko Kanno; "Momento Magico" by Ulf Wakenius; "Cell Block Tango" by Fred Ebb and John Kander; "Downtime" by Marshall Gilkes; and "Goodbye Yellow Brick Road" Elton John
1:00 PM – Paragould H.S., AR
Paragould H.S., AR
Paragould, AR
DIRECTOR: Carlos Serna
DRUM MAJORS: Tyler Eaton*
REPERTOIRE: Let Freedom Ring
MUSICAL SELECTIONS INCLUDE: "Featuring the music of Henry Jackman, Stephen Melillo, Ennio Morricone, Lee Greenwood, Thomas Bergersen, and Traditional American Folk Songs" by

*Drum Major attended the 2025 Bands of America Summer Camp

1:15 PM – Munford H.S., TN
Munford H.S., TN
Munford, TN
DIRECTOR: David Stevens
DRUM MAJORS: Austin Matthews, Nathan Allen, and Kayleigh Austin
REPERTOIRE: Polarity
MUSICAL SELECTIONS INCLUDE: "Suspirium" by Thom York; "Let Go" by Son Lux; "Variations of Toccata and Fugue in D Minor" by Johann Sebastian Bach; "Nothing Else Matters" by Metallica; and "Breathe" by Anna Nalick
1:30 PM – Timberland H.S., MO
Timberland H.S., MO
Wentzville, MO
DIRECTOR: Courtney White
DRUM MAJORS: Olivia Mueller, Anna Thomassee, and Sophia Porter
REPERTOIRE: On Display
MUSICAL SELECTIONS INCLUDE: "Pictures at an Exhibition" by Modest Mussorgsky; "Photograph" by Cody Fry; and "Festive Overture" by Dmitri Shostakovich
1:45 PM – Marion H.S., AR
Marion H.S., AR
Marion, AR
DIRECTOR: Monty Hill
DRUM MAJORS: Jordan Jamison, Jullian Romo, and Faith Watkins
REPERTOIRE: Metagalatic
MUSICAL SELECTIONS INCLUDE: "Space Mountain" by Michael Giacchino; "Moonlight Sonata" by Ludwig von Beethoven; "Moondance" by Van Morrison; "Mars Attacks" by Danny Elfman; and "Star Trek Theme" by Alexander Courage
2:30 PM – Bentonville West H.S., AR
Bentonville West H.S., AR
Centerton, AR
DIRECTOR: Albert Ortiz
DRUM MAJORS: Isabella Hume, Sidney Adams, Yaneth Gutierrez, and Jenna Coulter
REPERTOIRE: X
MUSICAL SELECTIONS INCLUDE: Honor from "The Pacific" by Hans Zimmer; "Little" Fugue in g minor by Johann Sebastian Bach; Opening Title from "Sweeny Todd" by Stephen Sondheim; and "Equus" by Eric Whitacre
2:45 PM – Hernando H.S., MS
Hernando H.S., MS
Hernando, MS
DIRECTOR: Len Killough
DRUM MAJORS: Lilly Davis and Ashlyn Henderson
REPERTOIRE: Flipped!
MUSICAL SELECTIONS INCLUDE: "Both Sides Now" by Joni Mitchel; "This Way Up" by Pat Metheny; "Lingus" by Snarky Puppy; "Me and Them" by Pink Floyd; and "Scythian Suite" by Sergei Prokofiev
3:00 PM – DeSoto Central H.S., MS
DeSoto Central H.S., MS
Southaven, MS
DIRECTOR: Dennis Cox
DRUM MAJORS: Emma Jenkins, Gus LaFever, and Avery Faulkner
REPERTOIRE: Dreamers
MUSICAL SELECTIONS INCLUDE: "Mvt I - Spark / Mvt II - Blue Print / Mvt III - Creation / Mvt IV -Legacy" by Kevin LaBouf
3:15 PM – Olive Branch H.S., MS
Olive Branch H.S., MS
Olive Branch, MS
DIRECTOR: Thaddeus Moss
DRUM MAJORS: Isaac Lorenzana, Ke'Auree Henderson, and Layla Tello
REPERTOIRE: Escher Sketches
MUSICAL SELECTIONS INCLUDE: "The Light VI. Schneider" by Phillip Glass; "Emerald Suite III. March" by Dwayne Milburn; "Chairman Dances" by John Adams; and "Escher Sketch" by Andrew David Perkins
3:30 PM – Mustang H.S., OK
Mustang H.S., OK
Mustang, OK
DIRECTOR: Ryan Edgmon
DRUM MAJORS: Madi Lagaly, Kael McDonald, Jordan Stubblefield, and Tori Torres
REPERTOIRE: Hope
MUSICAL SELECTIONS INCLUDE: "Hymn to the Sun with the Beat of Mother Earth" by Yagisawa; "The Prayer Circle, Movement III: Hope" by Elias; and "Joy" by Curiale
3:45 PM – Collierville H.S., TN
Collierville H.S., TN
Collierville, TN
DIRECTOR: Thomas Richardson
DRUM MAJORS: Clara Parker, Everett Nordin, and Celina Xu
REPERTOIRE: Beyond the Veil
MUSICAL SELECTIONS INCLUDE: "The Bridge" by Benjamin McLain; "When I as older" by Billie Eilish; "Dance Movement 1" by Oliver Davis; "Allergo for Hydrophonic Systems" by Christopher Tin; "Lament for a Frozen Flower" by Rolf Loveland; and "The End of Dracula" by Phillip Glass
4:00 PM – Bartlett H.S., TN
Bartlett H.S., TN
Bartlett, TN
DIRECTOR: Trevor Rundell
DRUM MAJORS: Christopher Chevalier, Katie Tilmon, and Chloe Mayer
REPERTOIRE: Super(califragilistic) Suite
MUSICAL SELECTIONS INCLUDE: "The Music of Mary Poppins" by Robert & Richard Sherman and "First Suite in E-falt" by Gustav Holst

Performing in Exhibition

University of Memphis

Mighty Sound of the South

Dr. William Plenk

Drum Majors: Oliver Buckley, Justin Ignalig, Tyler Dailey, Deja Lawrence

"Big Noise on Beale Street" - The Mighty Sound of the South presents Big Noise on Beale Street, featuring jazz classics Big Noise from Winnetka, Minnie the Moocher, and Malaga. The show features soloists Tristan Bass, Oliver Buckley, Zach Smart, and Mathew Miner, as well as the UofM Tigerettes Feautre Twirlers!

https://www.facebook.com/MSSMemphis

https://www.instagram.com/mssmemphis/

Venue Info

Venue Info

Simmons Bank Liberty Stadium
335 S Hollywood St, Memphis, TN 38104

Bag Policy
View Simmons Bank Liberty Stadium’s Clear Bag Policy

Spectator Parking

  • Parking is available southwest of the stadium
  • Parking costs $15 with no in and out privileges

Cashless Venues
We recommend planning ahead and bringing both cash and card to Bands of America events. All Bands of America ticket booths are cashless, with digital ticketing options only. Many stadiums operate cashless concessions. PepWear merchandise booths accept both cash and card.

Adjudicators

Adjudicators

Music Panel
Van Mathews – North Richland Hills, TX
Steven Page – Paducah, KY
Joshua Potter – Charlotte, NC
Evan Rogovin – West Palm Beach, FL

Visual Panel
William Chumley – Denver, CO
Tony Cimino – Cedar Park, TX
Marie Czapinski – Chicago, IL

Chief Judge
Marie Czapinski – Chicago, IL  (Prelims)
Phil Madden – Tigard, OR (Finals)

Host

Thank you to today’s host group!

University of Memphis Bands

FAQ

Frequently Asked Questions

Digital Ticketing

Bands of America ticketing is all digital. Tickets cannot be purchased with cash, only with credit and debit cards.

We strongly encourage spectators to purchase their tickets online in advance before arriving at the stadium.

Camera Policy and Video Recording

Only still photography is allowed, and only from general admission seats. Still photography is not allowed at field level.

Tripods, bipods, and monopods should not be used and the viewing experience of other spectators may not be disrupted.

Video and audio recording of any kind is not allowed, no exceptions.

Credentials – Band Field Passes
  • Each competing band is given 31 credentials with the option to purchase up to 10 additional credentials. Bands are given the exact number of bus driver wristbands as they request vehicle passes. Up to 2 medical passes for nurses can be requested by the band director. There are NO videographer passes.
  • A pass or a ticket is required to get into the stadium as a spectator.
  • Bands of American events are mobile entry and can be purchased in advance.
The Audience Has an Important Role to Play!

The audience and performance environment is a key piece of the Bands of America experience. Parents and fans have their own role to perform, which they undertake with enthusiasm. The atmosphere of good sportsmanship, mutual support, and appreciation for all of the performers on the field creates a positively life-changing experience for the students, as well as the parents and supporters. Meeting and engaging with parents and fans from other programs creates opportunities for networking and provides an extended voice in support of music education.

Bands of America and Music for All emphasizes the pursuit of performance excellence and the educational experience of participation. The commentary offered by the Bands of America judges provides educators and students with comments and meaningful assessment – much more than simply selecting a winner or placement. The commentary provides information on how directors and students are doing and what they need to do to improve. Each judge has a slightly different responsibility in this, but all point to the same mission: to create, provide, and expand positively life-changing experiences. Your applause, your encouragement, and your standing ovations will make this an unforgettable experience for the thousands of young people performing today.

THE VALUE OF COMPETITION
Competition is woven into the very fabric of America and has helped to foster the development of the strongest nation on Earth. Bands of America and Music for All believe that competing is a great motivator and provides amazing opportunities for learning life lessons. The essence of competition is in the striving for performance excellence and being held accountable for learning. If the focus is on the learning, the competitive climate will be a source extremely valuable in life. On the other hand, the negativity associated with “winning at all costs” will be a detriment to personal growth. Winning is certainly a monumental benchmark, as is any measurement in the competitive arena. Performing your very best in competition is also a benchmark, as is competing with the very best programs. By choosing to participate in competition, individuals and groups have already “won” simply by being highly motivated.

The competitive arena provides a very precious opportunity to practice quality sportsmanship and sincere appreciation for the hard work of others. It also is the place where the very best models in our activity can be displayed and celebrated. All performers need models to demonstrate possibility at the highest levels of performance and artistry. Bands of America encourages all participants to stay for Finals, show appreciation for those models, and for finalists to “break ranks” in order to congratulate each other for their successes. As all programs continue to improve through motivation, the competition strengthens everyone, pushing us beyond what we believed to be our potential. Each and every band performance is a gift to us all and must be treasured. First place is fleeting, but the learning associated with the striving for excellence, the cooperative work ethic, and the appreciation of others is everlasting. Bands of America encourages participants, parents, and friends to celebrate the high value of the competitive environment for its lessons and to become immersed in “positively life-changing experiences.”

— From the Bands of America Official Procedures and Adjudication Handbook

Be a Good Audience Member

Music is designed for all the senses. For everyone to fully enjoy the performances, we ask that you please adhere to the following. Your cooperation is greatly appreciated.

  • Please turn off or silence all cell phones, pagers, watches, and other personal electronic devices.
  • Do not leave or return to your seat during performances.
  • Keep all aisles clear. Please do not enter or exit the seating area or move within the seating area during performances. Respect the performers and your fellow spectators.
  • Please do not carry on conversations during performances or talk in a manner that disturbs your neighbors.
  • No smoking in the stadium.
  • Anyone exhibiting inappropriate behavior that disturbs the performances or the enjoyment of those around them may be asked to leave the stadium at the discretion of the contest director.
How is classification determined?

Bands of America has a four-class system (A-AAAA). Bands are assigned to classes based on enrollment levels in grades 10-12 as verified by each school's administration.

How is performance order determined?

Preliminary performance times are scheduled based on a random draw. Applications received and paid for on or before January 31, 2025, were eligible for the initial draw, after which performance times are based on postmark of application, with earlier postmarks receiving the later performance times. The previous year’s Regional Champion has the option to choose its Prelims performance time. Finals performances are scheduled by a random draw on site.

Who can enroll?

Enrollment is open to all high school bands on a first-come, first-served basis.

"What are the judges looking for?"

Bands receive recorded evaluation from each judge. The emphasis is on the input the judge offers to the band’s program. It is the position of Bands of America that music is the more important aspect of the performance, with marching as the presentation and visual enhancement of the program. Likewise, greater emphasis is placed on general effect than on fine-line perfection of the performance.

The weight of the numbers places 60% of the value on music and 40% on visual, as well as 60% on general effect and 40% on performance. Each judge is assigned a specific area on which they focus: ensemble and general effect judges are located at a vantage point from above (e.g., press box), and individual performance judges are located on the field. You can download the adjudication handbook from marching.musicforall.org for more information.

Why aren’t classifications announced?

By nature, appreciation of arts requires subjective reactions. We do not announce or publish band classifications, before or during events. Our intention is to not draw attention to classification, so as to eliminate expectations of a band’s performance based on class, including those of the judges.

How are finalist bands selected?

RegionalsThe top 12 scoring bands, regardless of class, are invited to compete in the evening’s Regional Finals.

Super RegionalsSuper Regional Championships accept 14 bands into Finals. The 14 bands are chosen according to the following procedure: the five highest scoring bands in each of the two Prelims judging panels, regardless of class, plus the next four highest scoring bands from both of the two Prelims, regardless of class, will advance to Finals. If a Class Champion is not among the highest scoring bands advancing to Finals, they will be invited to perform at Finals in exhibition.

Participating Band Dinner Break and Picnic Area
  • The stadium will be cleared after Prelims Awards and reopened for Finals. Concessions will be closed during the dinner break between Prelims and Finals.
  • Any feeding of band students must be in the designated Picnic Area. Please see the director Final Packet documents for this show for information and location of designated Picnic Area.